The cultural baggage of Khorezmian identity: traditional forms of singing and dancing in Khorezm and in Tashkent

After Uzbekistan gained its independence from Soviet rule, important political and economic changes took place. The mobility of the population has since then increased drastically and created new spaces for the negotiation of social identities as well as new strategies for identity politics among the culturally and regionally diverse population of Uzbekistan. This article aims to contribute to the discussions on social identity and its ‘contents’ in the light of migration processes. The main argument centres on the importance of what Barth called the ‘cultural stuff’ of social identities when maintaining boundaries during identification processes. The analysis focuses specifically on certain singing and dancing practices of Khorezmians. It shows how these practices survive, but are also transformed in the context of Tashkent, the capital city of Uzbekistan, where people from different regions reside together and are engaged in performing and presenting their own group identity in reference to ‘others’.     

FROM SINGING GIRL TO REVOLUTIONARY ARTIST: FEMALE ENTERTAINERS REMEMBERING CHINA’S SOCIALIST PAST (1949–THE PRESENT)

Abstract

This article explores a unique aspect of gendered socialism by examining the competing narratives of the state and individuals’ oral accounts, particularly the stories of former singing girls and Chinese Communist Party (CCP) cadres. During the socialist transformation of the 1950s, singing girls-turned-revolutionary artists, as popular performers and new socialist women, found mutual interests with the CCP: political propaganda for the Party, making profit for the troupe, and self-transformation for the girls. This article argues that the Party and former singing girls enacted a uniquely gendered socialism by continuously deploying the singing girls’ cultural and financial influence colored with their erotic image. In addition, this essay treats oral history as a process of identity and history construction rather than as “fact.”