邓小平文化思想与当代文化建设

邓小平文化思想是建设有中国特色社会主义文化的指导思想。邓小平文化思想为当代中国文化确定了发展的坐标 ;指明了当代文化发展的方向。邓小平文化思想具有自己鲜明的时代特色 ,对中华民族当代文化精神的塑造产生了深远的影响。     

在大学生中弘扬和培育民族精神的探索与实践

民族精神是一个民族赖以生存和发展的精神支撑。在大学生中弘扬和培育民族精神是培养高素质人才、实现中华民族伟大复兴的需要。要抓好学生党建、思想道德建设、教育教学和校园文化精品培育 ,以良好氛围促进民族精神的弘扬和培育。     

中国美学"内省"审美意识的文化阐释

中国美学"内省"审美意识的生成,直接受到了以儒家思想为主导的中国文化观念和文化精神的影响与制约。直观性、理性、意境,是中国美学"内省"审美意识表现出来的三大文化审美要素。中国美学"内省"审美意识所蕴聚的文化美感有机地渗透在中国美学的艺术创造和审美之中,不仅更进一步增强了中国美学的文化审美感染力,而且也形成了中国美学宏观认识与整体把握相结合、精致构造与抒情表现相结合、伦理修养与道德实践相结合、超越现实与主体自由相结合的文化审美特征。     

网络视频教学资源建设与大学生科学精神的培养

我国高等院校学生接触的多是具体的学科知识和技能,很少获得系统的科学教育。网络视频教学节目在设计时可以从节目形式、选题、创作手法等几个方面实现科学精神的传播;同时引导大学生参与视频资源创作,培养他们理性怀疑、积极求证、多元思考、平权争论、宽容激励等科学意识,以潜移默化地将科学精神根植于学生心中。     

Negotiating hybridity: Native women's performance as cultural persistence

New Delhi-based performer, Maya Krishna Rao’s experimental performances incorporate a variety of forms including kathakali, cabaret, comedy, drag, live music, and video, and draw attention to the performative, political, and ethical potential of gesture. This article traces Rao’s practice as a minor inhabitation of kathakali and everyday gesture. Following performance theorist Erin Manning (2016), I understand the “minor” to be a force that scrambles normative hierarchies of value and organization from within the intervals of the “major.” Rao’s minor practice retools the four-hundred-year-old dance-drama form to produce new sensory-kinesthetic knowledge of quotidian regimes. In works such as The Non-Stop Feel-Good Show, Khol Do, and A Deep Fried Jam, Rao straddles kathakali’s mythical economy, conventions, and physicality alongside snippets from contemporary news media, ideologically inflected historical narratives, and socially normative dress and behavior codes, to reveal the extraordinary with/in the everyday, such that we might inhabit the present differently. In distorting, combining, disarticulating, and deterritorializing kathakali’s gestural and expressive vocabulary, Rao invites audiences to partake and follow her into a gestural regime that lies alongside the known. By focusing on the possibilities for affective realignment and queering in a minor register, her experimental and hybrid kathakali-influenced performances impress upon discourses and practices of neoliberal urbanism, national memory, and gender and sexuality in New Delhi today.     

Mythical enjambment in The Hungry Woman: nation,desire, and Cherríe Moraga’s utopic turn

In her play The Hungry Woman: A Mexican Medea (2001), Cherríe Moraga makes use of a technique I call “mythical enjambment”: the insertion of a myth, story, or cultural context into another where it “doesn’t belong,” a willful act of making the unexpected out of the expected. Moraga utilizes mythical enjambment to illuminate how mythologies become entrenched and perpetuate harmful ideologies. Interrupting the traditional aesthetics of Western theater by drawing attention to the ways queer women of color are erased from the narrative, Moraga also challenges the absence of queer women of color from the Chicano movement by embedding her play within some of the most dearly held myths of Chicana/o culture. Ultimately, the use of mythical enjambment gestures toward the utopic and revolutionary potential of theater. The Hungry Woman shatters myths on multiple, intersectional levels: from the critical gaze of interpretive authority to the myths that cohere Chicana/o identity along masculinist and heterosexist lines.     

Miss Reading

Against the backdrop of western culture's strong investment in gendered clothes, Stockton looks at clothing's intricate relations to shame and, for some queer women and men, the surprising value of these humiliations, especially in the service of sexual attraction. The word 'martyrdom', with its associations to bodily wounding and psychic pain, is not too strong for the acts of clothing and sartorial preference she discusses. Working through concepts that emerge from Sigmund Freud on femininity, Georges Bataille on sacrifice and Leo Bersani on debasement, along with debates among feminist thinkers about the New Woman, Stockton takes up 'martyrs' from three distinct histories, martyrs as diverse as the mannish lesbian of Great Britain's 1920s, American butches and femmes of the 1960s, and even the sailors of post-war France. How public self-betrayal and self-debasement in terms of clothes can offer creative social formations is the focus of this article. The highly famous novels of three queer authors provide the means for this surprising look: Radclyffe Hall's The Well of Loneliness, Leslie Feinberg's Stone Butch Blues and Jean Genet's Querelle.     

童年的记忆 生命的家园——沈从文散文的美学探析

在现代文学史上,沈从文以反映湘西苗族儿女生活为题材创作的一系列小说、散文,奠定了他在文坛的重要地位。而沈从文散文最显著的特征是具有朴素的纪实美、浓烈的人性美、人与自然的和谐美、苍凉凝重的悲剧美、神圣执着的生命美。     

论日本文学“俳谐诗”文化范式的禅学情韵

日本文化推崇禅宗的“山水真如”的境界,而禅宗文化又观照着日本的俳句、汉文学、儒学、绘画、庭园建筑、花道等诸多艺术苑囿。日本的古典短诗是由17字音组成,原称俳谐。其俳句较多地采取象征和比喻手法,崇尚简洁、含蓄、雅淡。比和歌更为精练。然松尾芭蕉以其孤独的心境,到大自然中去寻找对应物,以心灵与之交流,表现出自然、真诚的生命性灵。由此,芭蕉的俳句也因其境界的幽雅、闲寂、清苦而在日本文学界享有盛誉。     

Wang Xinggong’s Aesthetics——A Science Orienting at Art Research

Asa pioneer, Wang Xionggong stands out among modern Chinese aesthetics schools, due to his adherence to science-dominated aesthetics, in contrast with Liang Qichao, Cai Yuanpei and Wang Guowei who are devoted to humanistic aesthetics, and Zhu Guangqian and Zong Baihua who combine humanism and science. Regrettably, researches into Wang’s aesthetic theory are far from deep. Wang advocates thataesthetics is an art-research science, and beauty is strictly defined as senses and feelings. So his aesthetics is a scientific research of aesthetic perception. By analyzing his attachment to objective materials such as masculinity, inclusiveness, expanse, multitude, mobility, orderliness and connectedness, he is proven to belong to the school of blending and balancing the objective and the subjective, accepting the ‘external objects’ as prerequisite for aesthetic materials, and insisting on the subjective processing and its results, equating art to beautyfinally. Wang’s aesthetics is confined to empiricism despite his mentioning of aesthetic perception ascending to rational realm. Thus, he is characterized by highlighting logic and science while neglecting the metaphysics within spiritual science.