比较美学研究方法略论--兼论周来祥先生的贡献

中国比较美学的研究方法已日趋成熟,相继出现了同中求异、异中求同以及理论联系实际、逻辑和历史相结合等方法。周来祥先生强调的微观比较与宏观比较、求同中之异与异中之同、动态比较与静态比较相结合的原则,为比较美学的健康、深入发展提供了有普遍启示意义的方法论指导。     

技术社会学研究的兴起与现状

早期的技术史家以及科学社会学家从技术的外部宽泛地讨论技术与社会的关系，强调把技术作为一种社会现象，从社会的角度来解释人类的技术活动，其研究成果为技术社会学的形成奠定了必要的基础。20世纪80年代，在S偈研究出现“技术转向”的背景下，一批研究突破了技术与社会的边界，将“技术一社会”视为一个整体化型式，从技术的内部考察技术的社会特征，从而形成技术社会学的三种主要经验研究纲领。进入90年代以后，原有的研究纲领继续得到发展，同时，由于人类学家、化研究等介入技术的社会研究，技术社会学开始演变成一个多元化的跨学科研究领域。     

犯罪分类的观念与形态

刑法学注重事后合理的定罪量刑,表现在犯罪分类上,主要以行为性质展开,关注的是行为的法益侵害属性,竭力表述不同性质的行为在具体犯罪构成上的区别;犯罪学注重揭示犯罪原因、强调事前犯罪预防,表现在犯罪分类上,主要展示犯罪原因与犯罪预防个别特征的犯罪人的类型;同时关注说明犯罪人人格特征的行为类型。在法律规范的框架内,刑事近代学派的思想只是一种观念的引导,它的刑法学意义必须通过刑法规范的形式,转化成具体的技术方法;尽管思想为根、为本,但是技术为体、为形;并且,若是缺乏了技术操作,则无所谓刑法。     

TheWorld’sResponsibility

正From December 1-12,Peru’s capital Lima plays host to the 2014 UN Climate Change Conference.The conference takes place juxtaposed with a series of side events on climate issues hosted by the Chinese delegation.During these events,China tries to demonstrate the efforts the government,business and academic communities,non-governmental organizations and Chinese youth have made in combating the detrimental effects of climate change.     

浅论提升吉林省科技创新能力

党的十八大报告指出：科技创新是提高社会生产力和综合国力的战略支撑,必须摆在国家发展全局的核心位置.同样,提高科技创新能力也是促进区域经济可持续发展的重要动力源泉.目前,吉林省正处经济转型发展的关键时期,因此,加大政府对科技创新的支持力度、充分发挥企业自主创新的主体作用、建立产学研合作体系等是提升吉林省科技创新能力的重要途径.     

Economic Transformation in Ningxia

正NINGXIA Hui Autonomous Region in northwestern China forms an essential channel connecting Asia,Africa and Europe,a crucial route on the ancient Silk Road,where nomads,envoys and merchants frequently gathered and traveled between East and West.     

China's Plans for a Safe Internet

正THIS year marks the 20th anniversary of China’s connection with the Internet.Originally a tool for finding information,the Internet has now changed every aspect of daily life,through e-commerce,network gaming,and social media.Along with the ubiquity of Internet connections comes the problems of information security.According to the Internet Society of China,Internet crimes,including attacks on websites,identity theft and disinformation,inflicted to-     

Painful Pleasure: The Politics and Aesthetics of Psychosocial Trauma in Impunity

Abstract

Continuous trauma syndrome (CTS) is the foundation for the characters in the film Impunity. The aesthetic choices in the narrative structure are an exploration of the discursive nature of violence and trauma in contemporary South African society. The theorising of continuous stress trauma provides the necessary challenge to the more conventional understanding of post-traumatic stress syndrome and informs the underlying analysis of the film. This analysis is offered in an interlocutory manner with psychology theorist Garth Stevens who provides a hermeneutic reading of Impunity that draws directly from his own research and others in the field of psychology. The paper is offered as an examination of an artistic research, film practice. The practice itself constitutes a theoretical expression which connects the aesthetic and structural choices of the film with the disciplinary observations made by Stevens. It suggests two theoretical approaches from different disciplines brought in conversation with each other to inform the reading of Impunity as artistic expression. The paper puts at its centre the discursive approach to the study of violence and trauma to suggest how the film’s structure and its aesthetics may be connected to research in the field of psychology.     

着力科技创新,发展现代农业

该文以芜湖市为例,阐述了芜湖市农业产业和农业科技发展现状,分析了存在的问题和困难,提出依靠科技创新支撑现代农业发展的路径和措施。     

Aesthetics and politics in North Korean socialist realist painting: On approved ways of seeing

This paper inquires into aesthetics and politics in North Korean socialist realist painting by way of an examination of North Korean journalist Han Chol Ju's article series “Visit to Korean Art Gallery” and three paintings in Korea Today (2010–2011). The paper explains late North Korean leader Kim Jong Il's national-Stalinist conception of Juche socialist realism in On Fine Art (1991); considers one Korean painting (Chos?nhwa), two oil paintings (yuhwa), and one jewel painting (pos?khwa); and addresses approved ways of seeing in political-aesthetic experience and response in the North Korean situation.