A Hard Culture? Religion and Politics in Turn-of-the-Century Australian History

The idea that Australia developed a uniquely "hard" political culture after 1788 — a culture that prized the rational and made short shift of religion — has had plenty of currency over the years. This idea has been challenged in recent scholarship, along with the broader notion that Western society became secularised during the twentieth century. Set against the backdrop of a wider challenge to the "secularisation narrative", this article explores the work of several historians dealing with the relationship between religion and Australian politics at the turn of the twentieth century. These historians, who include Al Gabay, Frank Bongiorno, Bruce Scates, and Judith Brett, are creating "softer" understandings of Australian political history. As a consequence, I suggest, their work has implications for the way we think about the relationship between the religious and secular Left, as well as for the way we think about Australian masculinities and culture more generally.     

THE SINS OF THE SON

Masculine sentimentality played an important role in Australian culture in the 1930s and 1940s, as in other places where plaintive country music songs attracted a passionate following. Using ‘Australia's Singing Cowboy’ Tex Morton as a case study, we show that this sentimentality became part of both the bush tradition and country music in Depression- and Second World War-era Australia, associated with the bushworker or rugged ‘lone hand’. This sentimentality was deeply problematic from a feminist perspective, as indeed was Morton's personal life. It romanticised what he called ‘the sins of the son’; that is, the lone hand's inability to do right by those he loved. It also glamorised his tears and self-pity, treating them as signs of his hardy masculinity. Given the significance of this form of sentimentality both in Australia and elsewhere over the rest of the twentieth century, feminist scholars of popular culture and historians of gender and the emotions need to pay more attention to country music songs about errant sons and lovers from the 1930s and 1940s.