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Matthew Kerry 《The History of the Family》2016,21(2):231-242
This article examines the construction of the postwar British family in amateur film with reference to the Sidney Lane and Cecil Scrutton collection held at the East Anglian Film Archive (EAFA), particularly the films covering 1948 – 1961. Heather Norris Nicholson argues that home movies contribute to ‘an understanding of leisure and visual-related practices of consumption as well as the social processes by which people came to give themselves, and others, identities’ in the mid-twentieth century (Nicholson, H. N. [2004]. At Home and Abroad with Cine Enthusiasts: Regional Amateur Filmmaking and Visualizing the Mediterranean, ca. 1928 – 1962’. Geojournal, 49, 323–333). By considering the social and historical contexts in which these home movies were produced, and using accompanying notes by one of the filmmaker’s sons, the leisure time films of Lane and Scrutton can be analysed in order to understand how the amateur cine hobby ideologically constructed family, community and national identity in postwar Britain. The images of Christmas parties, daytrips and holidays in these films reveal much about this particular family, and are therefore very illuminating to the social historian and film scholar of today. 相似文献
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Kerry Brown 《亚洲事务》2018,49(1):1-10
The fact that the extensive anti-corruption struggle that has consumed China since 2013 is highly political is widely accepted and understood. But the question is precisely what political strategy it is directed at – that of bolstering the position of the current supreme leader, Xi Jinping. Or for the preservation of the Party itself. There is a huge difference between these. The first simply means in effect the replacement of one corruptible elite by another. The second means a titanic struggle to change the Chinese communist party culture of power, and to make it enduring and sustainable. 相似文献
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Brown Kerry Bērziņa-Čerenkova Una Aleksandra 《Journal of Chinese Political Science》2018,23(3):323-339
Journal of Chinese Political Science - After 1978, Maoism as a living mass ideological and social force in the People’s Republic of China largely died away. The Party state’s legitimacy... 相似文献
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Kerry Brown 《中央社会主义学院学报》2020,(1):18-19
中美分歧反映出更深层的结构失调,即全球将迎来一个与其他大型经济体奉行不同体制与价值观的最大经济体。中国的独特性挑战了它的自我身份认同,也挑战了世界的原有认知。但这一特性是与中国传统共同发展的,中国文化具有与西方同等的正统性。与西方热衷于建构普世秩序不同,中国文化更为灵活、包容。在后现代,东西方有可能"思想解放",展开富有成果的对话,并能够相互平衡。尽管很少有人精通两大知识传统,尤其欧美对中国和其他亚洲国家了解不够,但我们必须找到交流的方式,寻求新的精神秩序。 相似文献
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Robyn Longhurst 《Feminist Review(on-Line)》2009,93(1):46-63
Birth, in many societies, is considered to be a private affair. Although health and medical professionals usually assist, the only other people who share the birth process with mothers are their nearest and dearest. With the rise of information communication technologies, however, birth is no longer an exclusively private event. Some women are now sharing their birthing experiences with millions of viewers who are part of the online video ‘community’ YouTube Broadcast Yourself. Searching the word ‘birth’ on YouTube results in close to one million ‘hits’. This article is based on a small-scale, qualitative research project, which involved viewing and making notes on several hundred online videos of birth on YouTube and the accompanying posts and commentaries about the videos. These data were analysed through a feminist, poststructuralist and geographical lens. Throughout the article the term ‘cyber/space’ is used to highlight the mutually constituted nature of ‘real’ and virtual spaces. The article concludes that although YouTube has the potential to open up new windows on birth, this potential is not yet being realized. YouTube does not overcome or render insignificant material expressions of power, instead it typically privileges US experiences of birth, reiterates discourses of ‘good’ mothering and censors particular (mainly vaginal) representations of birth. 相似文献
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