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This article focuses on the ideas and discourse of some early television critics regarding the content and direction of television drama specifically teleteatros, the first prime-time dramas in Mexican television. Their opinions reflect the divisions among the Mexican intellectual elite in regard to the meaning of Mexican culture. Professionals and intellectuals advocated for television dramas that would reflect the Mexican culture as cosmopolitan and modern. In their writings and public statements, folkloric aspects such as ranchera music were considered unworthy for the medium. In opposition to the critics was the business class whose interest in television content had two purposes: to develop programs with the widest appeal possible and to represent Mexican culture in a way that did not challenge the discourse of the PRI (Partido Revolucionario Institucional) that ruled the country from 1928 until 2000. Thus, television during the 1950s, and into the 1960s, wrangled not only with the usual growing pains of a new technology but also the contradictory perceptions of how Mexico and Mexican culture should be portrayed in television dramas.  相似文献   
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The aims of the present study were to establish interpersonal victimization rates in a clinical sample and to analyze this sample’s risk of victimization relative to the general population. The sample was composed of 472 adolescents (12–17 years of age): 118 outpatients from public mental health centers and 354 students who were matched by age and sex. Following previous studies, this research defined poly-victimization as four or more victimization types occurring during the previous year. The clinical group was more likely to report sexual victimization (OR = 9.540), conventional crime (OR = 3.120), caregiver victimization (OR = 3.469), witnessing and indirect victimization (OR = 3.466), electronic victimization (OR = 2.809), and poly-victimization (OR = 4.319) compared with the control group. Clinical samples present an increased risk of interpersonal poly-victimization compared with the general population. The influence of poly-victimization on mental health should be considered in the evaluation and treatment of adolescent outpatients.  相似文献   
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Litigation over one of Santiago Calatrava's works in Bilbao,Spain, illustrates the difficult balance to be construed bycourts between the right to preserve the integrity of an architecturalwork and the public interest of local authorities to alter it,when urban development requires so.  相似文献   
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LEGAL CONTEXT: Within the context of the European Union legal framework ofdesigns, the Community Designs Regulation has been operatingsince March 2002. Since April 2003, the first Registered CommunityDesigns were published by the Alicante-based OHIM. From thespringtime of 2004, the first decisions issued by OHIM relatedto invalidity of designs were published. KEY POINTS: Enforcement of Community Designs is a matter for national courtsto deal with it, since no Community-wide judicial system wasset. National "Community Design Courts", as they are called,were set in each Member State with jurisdiction to hear infringementcases and make decisions with cross-border effect. PRACTICAL SIGNIFICANCE: For holders of Community designs, the first cases decided bythe Spanish Community Designs Courts are specially relevantsince holders have a legitimate expectation, on the basis ofthe first decisions adopted since September 2004, to see theirdesigns effectively enforced. The consolidation of the Communitydesign system will very much depend on the effectiveness ofenforcement by courts like the one in Alicante, which has shown,not only a clear readiness to protect CTM owners, but now also,Community design holders.  相似文献   
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