Negotiating a Victim Identity: Young Men as Victims of Violence

This article is based on an interview study of how 10 young male crime victims talk about violent events and actors involved. It focuses on how the young men present their identities as ‘young men’ who have been victims of violent crimes. In their narrations the men struggle with a cultural understanding that ‘masculinity’ is associated with strength and power, while ‘victim’ is associated with weakness and impotence. During the interviews the young men actualize several balancing acts in their presentation of themselves as men and victims in a delicate manner by use of specific word choice, manner of speaking, laughter, etc. The young men are negotiating a victim identity; they portray themselves by careful positioning as both victims and strong, active young men. By this discursive balancing of identities the young men present themselves as manly at the same time as they present themselves as victims. In collaboration with the interviewer the participants negotiate how they want to be known: as ‘victim-worthy’ young men, with associations to a ‘hegemonic manliness’.     

High heels as a disciplinary practice of femininity in Sandra Cisneros’s The House on Mango Street

With high heels brought back into fashion in the 2000s by the beauty-industrial complex, health organizations have since reported an ‘epidemiology of high-heeled shoe injuries’, especially among young women. Feminist theory in general, and literary criticism on gender, have not yet systematically addressed the role high heels play in upholding and naturalizing the construct of femininity. This article examines seemingly diverse but complementary ways in which high heels function as one of the contemporary devices of femininity in capitalist patriarchy, and argues that the promotion of high heels has a direct stake in reconfiguring women, and their bodies, as symbolically, and literally, tiny and unstable, as fragile and helpless, and as sexually objectified and commodified. The article relies on an interdisciplinary approach, which brings together feminist theory on body and recent medical findings on the effects that wearing high heels has on women’s health and motility. These are applied to the way the problematics of high heels tends to be captured and exposed in socially engaged literary works such as Sandra Cisneros’s The House on Mango Street, which serves as a rare instance of a critically engaged literary piece on this matter.