Drugs and alcohol consumption amongst Spanish drivers.

We have analysed patterns of alcohol and regular drug consumption by Spanish drivers. Six hundred and seventy five properly completed questionnaires were received from drivers attending three medical traffic centres in Valladolid (Spain) for medical examination prior to obtaining or renewing their driving licence in 1990. Among those surveyed, 24% were 'daily' drinkers and 56.7% were 'weekly' drinkers, the majority (55.5%) being 'light' drinkers (1-39 g/day of pure alcohol). Of those surveyed 28.9% took drugs. The most commonly consumed drugs were analgesics (6.5%), anti-allergic drugs (5.2%) and oral contraceptives (4.6%). Of those drivers taking drugs 28.2% were 'daily' drinkers and 53.8% were 'weekly' drinkers. The study indicates widespread consumption of alcohol and drugs by Spanish drivers.     

Redrawing a map of motherhood

Motherhood in any culture comes with a set of ideologies that restrains women's own desires and needs. In Japan, women with young children have recently coined the term, Mama-tomo, or ‘Mum-friends’, and formed loosely connected communities through their daily parenting routines. Kirino Natsuo's novel Happiness, originally published in instalments between July 2010 and October 2012 in women's magazine Very, depicts the social machinations of a particular mama-tomo group in Tokyo's aspirational waterfront suburb. While the novel addresses contemporary women's issues and motherhood in particular, it also explores the map of Tokyo that engenders imaginary class distinctions. In this article, I follow the trail that the novel leaves on this map and identify the implications of that trail. In doing so, I draw on the concept of ‘smooth’ and ‘striated’ spaces, as theorised by Deleuze and Guattari (1987) in their critique of capitalism and modern living. Writing sympathetically to the women protagonists – and hence to the readers of the magazine – Kirino is nonetheless critical of the women's belief in the imaginary values of an elite class and their willingness to submit to the imposed ideology of motherhood. In this sense, the novel repudiates the consumerist lifestyle models constructed for sale through Very and the popular media at large. It is my contention that the beliefs critiqued in Kirino's novel have their source partly in the spatial imagination of the Edo period (1603–1868), during which the ruling samurai class facilitated a systematic social segregation. It is ironic, however, that the segregation in turn underscored the demarcation of the Other space, a liberated dynamic space outside the strictly regulated habitat of the ruling group. Endorsing this Other space, Kirino redraws a map of Tokyo through this novel to show the young generation of mothers a way of exiting the captivity of imposed ideologies of motherhood, class, and consumerism.