论建立我国非法证据排除规则

在刑事诉讼过程中如何取舍和运用刑事非法证据 ,涉及到非法证据的效力问题。两大法系中很多国家建立了非法证据排除规则。我国立法对于非法证据效力的态度不甚明确 ,因此必须完善有关立法 ,制定配套制度 ,建立我国的非法证据排除规则     

论道路交通管理中的经济学观念

公安机关应当遵从市场经济规律 ,强化经济成本意识 ,充分认识道路交通管理在经济发展中的地位和作用 ;走出认识上的两个误区 ,确立服务经济发展 ,促进经济发展 ,创造经济价值的观念 ;努力探求既能完成繁重的交通管理任务 ,又能把有限的交通管理“活劳动”和“物化劳动”的使用成本降到最低限度 ,创造一个可持续发展的交通运输环境 ,实现道路安全畅通 ,能耗少、公害低、群众满意的目标。     

浅谈当前不同类型有组织犯罪的联系和区别

在刑事犯罪中,黑社会性质组织、犯罪集团、流氓恶势力犯罪都是有组织的普通刑事犯罪,社会危害严重,为维护社会秩序和保护人民生命财产安全,保障经济建设的顺利进行,必须要正确区分,并依法从重从快予以惩处。     

依法治国与党的领导

依法治国方略的提出,有助于防止和克服权力变质,根治腐败,从法律上保证党的路线、方针、政策的贯彻落实,保证始终发挥党的总揽全局、协调各方的领导核心作用。而要真正实现“法治”这一社会管理模式,必须坚持党的领导,同时不断改善党的领导,加强党的自身建设。     

Four Lessons for Developing Countries from the Trade Negotiations Over Access to Medicines

After the Agreement on the Trade-Related Aspects of Intellectual Property Rights (TRIPS) came into operation in 1995 developing countries have found themselves in a process of continual negotiation over intellectual property rights and access to medicines. These negotiations have taken place in the World Trade Organization and in the context of free trade agreements. The paper suggests that the only real win for developing countries has been the Doha Declaration on the TRIPS Agreement and Public Health in 2001. What have been the lessons for developing countries in a decade of negotiations over access to medicines? Drawing on themes of rule complexity and regulatory ritualism the paper discusses four key lessons for developing countries. It concludes by arguing that developing countries will do better if they adopt a networked governance approach to negotiation rather than continuing to rely on traditional coalition formation.     

“The Spectacle of Fearsome Acts”: Crime in the Melting P(l)ot in <Emphasis Type="Italic">Gangs of New York</Emphasis>

This paper explores the multi-layered representations of violence and crime in the recent Hollywood film Gangs of New York [Scorcese (2003) Miramax]. We use our exploration of this film to suggest that popular culture, even through its most mainstream products, can be seen as a critical criminological space where alternative views of law, crime and the state are made available. Rather than understanding Hollywood movies simply as vehicles for disseminating conventional mores, we suggest that they can furnish critical (and complex) points of view on law and crime and that the project of a critical criminology can be strengthened by engaging more forthrightly with these ubiquitous cultural forms.