Agricultural cooperatives in Gujarat,India: Agents of equity or differentiation?

Agricultural cooperatives have been promoted in India's economic development programme as a means of encouraging large-scale agricultural production while enhancing community cooperation and equity. Focusing on sugar cooperatives in Gujarat state of western India, the author shows that these cooperatives have been successful in promoting large-scale agricultural production and in improving the economic and social standing of their members. This success, however, has been built upon the exploitation and pauperisation of local landless communities and migrant labourers. As a result, there has been an increased differentiation of the peasantry in south Gujarat.     

An Exploration of the Relationship Between Emotional Intelligence and Job Performance in Police Organizations

The aim of the current study is to explore the relationship between emotional intelligence and job performance in a sample of 310 police officers. The results show significant correlations between EI levels and police job performance. After controlling for general mental abilities and personality traits, EI has been found to explain additional incremental variance in predicting police job performance. Applied implications of the findings for police organizations are discussed.     

Science-women: arcane knowledge and African spirituality in independent African-American cinema of the 1990s

ABSTRACT

This article explores the significant role played by arcane knowledge and expressions of African spirituality in the iconography of powerful black women in three films directed by independent African-American filmmakers in the 1990s: Sankofa (Haile Gerima, 1993, USA), Mother of the River (Zeinabu irene Davis, 1995, USA), and Eve’s Bayou (Kasi Lemmons, 1997, USA). My discussion draws on the orature and legendary tales of West African-based cosmologies in the African diasporas of the Americas and the concept (and practice) of ‘conjure’ in African–American cultures. It argues that heroic black women characters possessing extraordinary or supernatural powers not only predate the current vogue of cinematic superheroism, but that the iconography of such ‘science-women’ is embedded in culturally specific, African-rooted cosmological, epistemological and spiritual contexts. I argue that the feminine power celebrated in the films by the independent African-American filmmakers discussed here draw on legendary and historical accounts of women in African diasporic oral, literary and spiritual traditions for their cinematic storytelling to construct an affirmative and paradigmatic model of black female heroism based on empowering African spiritual beliefs and arcane knowledge.