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This paper inquires into aesthetics and politics in North Korean socialist realist painting by way of an examination of North Korean journalist Han Chol Ju's article series “Visit to Korean Art Gallery” and three paintings in Korea Today (2010–2011). The paper explains late North Korean leader Kim Jong Il's national-Stalinist conception of Juche socialist realism in On Fine Art (1991); considers one Korean painting (Chos?nhwa), two oil paintings (yuhwa), and one jewel painting (pos?khwa); and addresses approved ways of seeing in political-aesthetic experience and response in the North Korean situation.  相似文献   
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