When national symbols divide: the case of pan-Catalanism and the Països Catalans

Shared symbols are an essential element in nationalist mobilisation. National symbols provide perhaps the strongest, clearest statement of national identity and are socially constructed. The effectiveness of these symbols will determine the success or failure of a political and cultural project. The effectiveness of cultural and political symbols can be seen through examination of the project of pan-Catalanism, the Països Catalans (the Catalan-speaking countries). This political project is rather unusual in the nationalist literature in being unable to advance beyond an embryonic stage. While cultural affinity can be determined within the Catalan-speaking territories, a wider claim to pan-Catalan political identity has foundered. This article argues that the absence of a shared attachment to national symbols in Catalonia, Valencia, the Balearics and other Catalan-speaking areas, provides the principal explanation why successful nation building has not been achieved.     

Exhibiting the collections of the Spanish Crown and nobility for the nation: the Count of Valencia de Don Juan and the 1892 European historical exhibition

This article focuses on the place and role accorded to the collections of the Spanish Crown and nobility at the Exposición Histórico-Europea organized in Madrid in 1892. It sets the exhibition in the political and cultural context of the Fourth Centenary of the Discovery of America and analyses the role of Juan Crooke y Navarrot, the Count of Valencia de Don Juan to understand how royal and aristocratic collections were instrumentalized in a bid to assert the place of the Spanish monarchy on the European and international scene and strengthen its prestige. Commissioner of Crown property, the Count of Valencia de Don Juan was one of the members of the nobility who exhibited their collections to the public. Therefore, his investment in the organization of the exhibition, as a non-professional curator, helps understand what the event meant for Spanish nobility. This enables us to gauge what role such exhibiting played in the construction of the national heritage and art historiography of Spain.