Sleaze or clear blue water?: the evolution of corporate and pressure group representation at the major UK party conferences

There has been growing academic and public interest in corporate political lobbying in both the UK and EU in recent years. In Britain, links between politicians and commercial interests have been one of the areas examined by the Committee on Standards in Public Life (‘the Nolan Committee’ and now ‘the Neill Committee’). A visible but under‐researched aspect of political lobbying by firms and other groups is the range of activities that take place at annual party conferences. An exhaustive study of these activities at the three main British party conferences between 1994–97 is reported, covering the period from Tony Blair's first appearance as party leader to the aftermath of the 1997 General Election. There is clear growth of visible lobbying, particularly at the Labour conferences, over the period leading up to the election, and a dropping off in 1997; particularly at the Conservative conference. The implications of the results for organisations, and particularly for public affairs practitioners, are considered. Copyright © 2002 Henry Stewart Publications     

关于博物馆临时展览的成功因素分析

近年来,博物馆举办的临时展览越来越多,这给博物馆注入了勃勃生机,也显示出博物馆在社会主义精神文明建设中不可替代的重要作用。同时我们也在思考:怎样才能使临时展览获得成功?或者说临时展览的成功因素有哪些?探讨和分析这一问题,将有助于推动未来的临时展览更上一层楼。     

Exhibiting the collections of the Spanish Crown and nobility for the nation: the Count of Valencia de Don Juan and the 1892 European historical exhibition

This article focuses on the place and role accorded to the collections of the Spanish Crown and nobility at the Exposición Histórico-Europea organized in Madrid in 1892. It sets the exhibition in the political and cultural context of the Fourth Centenary of the Discovery of America and analyses the role of Juan Crooke y Navarrot, the Count of Valencia de Don Juan to understand how royal and aristocratic collections were instrumentalized in a bid to assert the place of the Spanish monarchy on the European and international scene and strengthen its prestige. Commissioner of Crown property, the Count of Valencia de Don Juan was one of the members of the nobility who exhibited their collections to the public. Therefore, his investment in the organization of the exhibition, as a non-professional curator, helps understand what the event meant for Spanish nobility. This enables us to gauge what role such exhibiting played in the construction of the national heritage and art historiography of Spain.     

Art and Modernity in Porfirian Mexico: Julia Escalante's Graziella and the Lechero

This essay examines Julia Escalante's Graziella and the 1881 El Lechero (The Milkman) as a case study of the ways in which the art of a Mexican woman artist instantiates aspects of Porfirian modernity. In the context of the academic hierarchy that existed through much of the nineteenth century, these scenes of everyday life, that is, genre scenes, done by a woman artist, would have been seemingly unremarkable. Different from most works by a woman artist, these paintings were exhibited in two very different spaces in downtown Mexico City: the National Academy in 1879 and 1881, and later in the Hotel del Jardín in 1888. I will suggest that these exhibition spaces define an architecture of legibility for the paintings inflecting the critical reception of the painting, opening onto the process of Porfirian modernity.     

The official art of the Khrushchev Thaw: The Severe Style as an ambassador of the Estonian national school at Baltic art exhibitions in Moscow

In Estonian post-Socialist art history writing, the term ‘national’ has mostly been introduced as a defense mechanism against the Soviet regime. The aim of this article is to indicate that concept ‘national’ also played quite an important role in ‘official’ Soviet cultural politics, especially after Stalin’s death. The processes of cultivating ‘national particularities’ in the arts will be exemplified by the Baltic exhibitions in Moscow in the end of 1950s and 1960s.