Moving beyond ideas of laddism: conceptualising ‘mischievous masculinities’ as a new way of understanding everyday sexism and gender relations

Abstract

This article engages with current debates on ‘lad cultures’ by questioning how we understand the term in the specific context of everyday sexism and within groups of men varying in age. Further to this, using a feminist and critical masculinity studies perspective, the article will explore how men do not necessarily comprehend their behaviour within the framework of lad culture or within the continuum of sexual violence. Through discussion of ethnographic and interview data collected over a year at a site historically associated with lad cultures, that of a Rugby Union club in Northern England, an alternative way of conceptualising masculinity and everyday sexism, ‘mischievous masculinities’, is proposed. Men in the research practiced what I term mischievous masculinities, whereby they implemented ‘banter’ to aid in both the construction and de-construction of sexist ideas within the rugby space. Performing mischievous masculinity enabled men of all ages to both engage in and simultaneously challenge everyday sexism in ways they understood to be ‘innocent’. However, the continual framing of banter as ‘just a laugh’ demonstrated that this form of sexism can be construed as problematic, due, in part, to its subtlety, in relation to more overt and violent sexist practices. A key difference between the men in my research and previous theorising of ‘lad culture’ is the recurring theme amongst older participants that ‘I should know better’, demonstrating consciousness of the sexist and problematic connotations which could be drawn from this interaction. This notion of mischievous masculinities then, in the context of a life course perspective, can be seen to challenge more established notions of an unreflexive lad culture, thus affording a more nuanced understanding of everyday sexism amongst more diverse groups of men than currently exists, as well as allowing for men’s agency in a specific site.     

Silenced narratives of women’s participation in labour and political struggle in Spain, 1960–1975

ABSTRACT

This article studies women’s participation in the struggle against the dictatorship in Spain (from 1960 to 1975). Drawing on life stories of women activists from el Marco de Jerez, it examines their repertoires of actions, their frames, and the lack of recognition from both academic and political spheres. A Gramscian approach and the perspective of hegemonic masculinity contribute to explain how women organized, how represented their collective action, and why their memories have been silenced. The theoretical approach has helped to identify relations of hegemony within feminist studies and political movement.     

Male workers in the female-dominated long-term care sector: evidence from England

Labor market changes, including growing opportunities to work in the long-term care (LTC) sector, may attract more men to this traditionally female-dominated occupation. Analyzing an English national workforce data-set we investigate whether men are remaining within traditional masculine jobs or crossing traditional boundaries into more emotional, and personal care work. We examine organization, local area effect, and service provision on the probability of attracting more men to the workforce. The analysis utilizes multivariate statistics and mixed-effect models. The findings highlight both horizontal and vertical segregation in the types of jobs undertaken by men in the LTC sector. A research agenda is identified.     

Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice

This essay puts forward a notion of “raunch aesthetics,” theorizing raunch as an aesthetic, performative, and vernacular practice: an explicit mode of sexual expression that transgresses norms of privacy and respectability. Raunch aesthetics describe creative practices that often blend humor and sexual explicitness to launch cultural critiques, generate pleasure for minority audiences, and affirm queer lives. The author activates her formulation of raunch in analyzing Yo! Majesty, a hip hop group comprised of black female emcees who openly describe their sexual desire for women, and explores how the queer youth of color she works with have responded to their music. Working beyond the unexamined moralisms that give critiques of raunch culture their legitimacy, the author argues that Yo! Majesty's raunch aesthetics transmit queer and feminist teachings. While celebrating carnal pleasures, these artists critique heterosexism, subvert narratives about the incompatibility of belief in Christ and queer sexualities, and trouble notions concerning the emancipation of coming out of the closet and declaring a stable homosexual identity. In demonstrating how raunch aesthetics generate consciousness raising, the author discusses how her youth participants critically read and consume hip hop while negotiating unwieldy meanings of sexuality and gender presentation.     

Pushing gender to its limits: Iranian women bodybuilders on instagram

Bodybuilding is a hyper-masculinized sport and widely perceived unfit for women. In Iran where women face struggles and spatial limitations to participate in sports, women bodybuilders are breaking the boundaries and becoming increasingly visible using digital media. This research studies two Instagram pages dedicated to Iranian women’s bodybuilding. Content analysis is carried out on the posts and the users’ comments to investigate the visual and textual content of the posts, as well as Iranian Instagram users’ perceptions of the imagery, and the discourses of bodybuilding and gender relations. The findings are analyzed using feminist literature on body, physicality and bodybuilding, and perceptions of femininity and masculinity are explored. In conclusion, the findings are contextualized within the broader socio-cultural, political and religious discourses of women’s body, sports and physicality, as well as moral and political forms of feminine embodiment in Iran.     

Inca, Sailor, Soldier, King: Gregor MacGregor and the Early Nineteenth‐Century Caribbean

This article examines the recruiting practices, political propositions and changing identities of the Scottish adventurer Gregor MacGregor in the early nineteenth‐century Caribbean. Based on original archival research and revision of the existing secondary literature, it seeks to understand why he has consistently been judged as a failure, and why neither Scotland nor any of the countries MacGregor worked in have wanted to claim him as their own hero. After an introduction providing biographical details and some historical context for the Caribbean in the period 1811–1830, the article looks in detail at what have been seen to be his successes and failures in the Caribbean region. It asks to what extent questions of ethnicity or masculinity have affected the way contemporaries and historians viewed MacGregor and his actions. In conclusion, it suggests that although he was a soldier and a sailor, and he was declared both an Inca and a King, his career was deemed a failure by both contemporaries and historians in Scotland, South America and the Caribbean. The main explanation for this negative assessment is that his ambitions continually fell foul of the interests of various Caribbean elites and of the distinctive historical circumstances of the region.¹     

近年来中文学界男性特质①研究探析

自上世纪八九十年代以来，学界逐渐将男性研究基本分析范畴和分析框架应用于中国的历史、现实和文化分析之中。然而，目前中文学界关于男性特质的研究主要集中于以下4个方面：努力构建适应广泛、有助于中国男性特质理论化的范式；对西方男性研究理论框架和基本话语的综述和介绍；用男性特质解读外国文学作品、华裔作家作品和现当代文学作品；探索男性特质研究范畴与大众传媒和身体复杂的互动关系。     

Native rhythms in the city: embodied refusal among Uyghur male migrants in Ürümchi

Over the past two decades, state-directed Han settlement and capitalist development in the Uyghur homeland in Chinese Central Asia have uprooted thousands of Uyghurs, causing them to move to the city. In this article, I explore how low-income male Uyghur migrants and Uyghur culture producers build a durable existence despite these challenges. Based on analysis of migrant responses to the Uyghur-language urban fiction and indigenous music as well as ethnographic observations of Uyghur migrants from Southern Xinjiang, I argue that indigenous knowledge provides underemployed male Uyghurs a means to refuse the alienating effects of settler colonialism and economic development. By broadening the scope of what counts as ‘resistance’ to Chinese attempts to eliminate aspects of Uyghur society, I show that ‘refusal’ can be a generative way of embodying sovereignty, particularly when confronted by structural violence.     

Paid military service at the intersection of militarism,nationalism, capitalism,and (hetero)patriarchy: escaping without leaving ‘manhood’

The variety of the political standpoints of governments that have initiated exempted military service for several times in Turkey is a sign of a general agreement on its legitimacy. However, Turkey is a country where conscientious objection is almost a taboo. I try to decipher the assumptions behind what is (il)legitimate, and their manifestations in the sociopolitical life from a gender perspective informed by the feminist theory. I argue that what lies behind these is the interconnection between militarism, nationalism, patriarchy, and capitalism. I show how they reciprocally support each other through a critical discourse analysis of the debate on legitimacy of paid military service and illegitimacy of conscientious objection. I conclude that the nature of these debates leads to a reproduction of the hegemonic definitions of manhood and womanhood, together with the reproduction of the masculinization of the political sphere at the expense of the exclusion of and discrimination against other identities.     

A marriage made in heaven: the functioning of patriarchy and nostalgia in Boer soek ’n vrou

This article explores the functioning of patriarchy and nostalgia in a South African reality television series, Boer soek ’n vrou. A hermeneutical analysis is used to unpack visual and verbal narratives that depict romantic relationships and an idealised future. Concepts such as nostalgic appropriation, benevolent patriarchy and the courtship narrative are explored to illustrate the latent patriarchal agenda which is conveyed to the audience. Interactions between the two genders not only naturalise but also reaffirm gender stereotypes. Throughout the series, female contestants are relegated to the sphere of domesticity whereas male farmers are shown as active social agents. Footage that sentimentalises the farmers’ feelings is also used to regenerate Afrikaner masculinity, arguably as a direct result of the perceived loss of male authority. This ‘renegotiated’ image of a white, heterosexual man is indistinguishable from the historical, patriarchal portrayal of men. In the series, patriarchy and nostalgia collaborate to create a cultural product that can be commercially marketed. The colonial gaze is employed to depict farms as picturesque spaces where benevolent patriarchal power relations are enforced. selective erasure, however, distorts reality and exploitative power relations remain hidden from the audience.