Radical distinctions: a comparative study of two jihadist speeches

Work on contemporary instances of “violent extremist” texts tends to see these primarily as more or less instrumental extensions of political (or political-religious) movements. As a result, there are few studies that devote close attention to individual examples of the texts themselves. In this article, we offer a detailed analysis of two jihadist speeches by the prominent ideologues Adam Gadahn and the late Anwar al-Awlaki. We argue that Al-Awlaki’s work ultimately succeeds where Gadahn’s seemingly fails because it is underpinned by a form of fundamentalism which, paradoxically, is inherently premised on the survival of possibilities for dialogue and polyglossia.     

Cuban Anti‐slavery Narrative through Postcolonial Eyes: Gertrudis Gómez de Avellaneda’s Sab

Gertrudis Gómez de Avellaneda’s Sab (1841) has come to be regarded as an iconic work in the canon of nineteenth‐century Cuban fiction, celebrated as much for its literary pedigree as for its radical combination of anti‐slavery and feminist ideas. Yet it has been the subject of very divergent critical appraisals. This essay sets out to breathe new life into Avellaneda’s novel by interpreting it through a postcolonial optic. Drawing on ideas from the scholarship of Edward Said and Frantz Fanon, as well as the ideas of literary theorist Mikhail Bakhtin, these pages explore the implications of its nationalist, racial, sexual and feminist politics for Sab’s anti‐slavery meaning. This postcolonial reading provides a possible solution for the conflicts between its various interpretations.     

Towards a Grotesque Phenomenology of Ethical Eroticism

Abstract: Over the course of this article, the author argues that ethics and the erotic are interrelated. The author also contends that the way subjectivities are constructed has a strong impact on the development of the ethical and the erotic character of these same subjectivities. Against this backdrop, the author postulates that envisioning or creating oneself as a grotesque subject promises to facilitate one's own development into a moral and erotic human being by triggering a process of inner estrangement that enables one to recognize the otherness within oneself. This analysis is based mainly on Mikhail Bakhtin's grotesque as presented in his Rabelais and His World (1965). This self-introspection serves as the basis for an ethical eroticism through which one shall transform oneself into a fully fledged moral and sensual subject. In formulating this argument, the author draws on Simone de Beauvoir's own attempt to link the erotic to the ethical. As will be seen, the same principle that stands at the heart of a phenomenological ethics also steers the author's phenomenological conception of the erotic. The principle in question is carnal intersubjectivity-bodies that penetrate one another and merge, yet never lose themselves in the other's carnality. Put differently, they remain non-objectified subjects. The grotesque subject is presented as a figuration that helps shed light on the way the subject has been conceived by, above all, phenomenological and postmodern theorists. The author then explores some of the ethical ramifications of this conceptualization. Drawing on these insights, the author fashions an ethical eroticism that derives from a grotesque subjectivity.     

The image of ‘ideal’ Turkish womanhood? a Bakhtinian approach to Halide Edib Adıvar’s Raik’in Annesi (Raik’s Mother) (1909)

Critics often read Halide Edib Ad?var’s Raik’in Annesi (Raik’s Mother, 1909) as an affirmation of the author’s vision of ‘ideal’ womanhood, one which is aligned with the visions of reformers involved in the projects of Turkish nationalism and modernisation. This article presents an analysis of the novel that both incorporates and goes beyond such accounts. Instead of focusing on depictions of the heroine (Refika) as signs of female objectification or as reflections of Ad?var’s views on the woman question, the analysis focuses on the dialogic properties of the text in order to attend to the ways in which the heroine is presented as the locus of an ongoing conflict between her own aspirations for independence and the various opinions and judgements about her that are set within the discursive boundaries of ‘ideal’ womanhood. The analysis draws on Bakhtin’s theory of dialogism (and concepts related to it, in particular ‘authoritative and internally persuasive discourse’ and the notion of internal dialogue) and examines the tension between the hegemonic discourse that asserts the role of ‘ideal’ wife-mother and the dissenting voices in the text that provide insight into the heroine’s experiences and struggles for autonomy. In doing so, we can develop a sense of the polyvocal, dialogic and inconsistent depiction of the heroine while drawing out the texts’ critiques of the conventions of womanhood and marriage and their effects on women. By analysing such contradictory depictions of Refika, the article aims to draw attention to the way in which the text problematises the image of ‘ideal’ womanhood, whilst offering reflection on the novel’s concluding commentary on the woman struggle for agency and freedom.     

狂欢化的《尤利西斯》

狂欢节文化在整个官方世界彼岸建立起第二世界和第二生活,以一种反叛的姿态与官方生活形成对峙.狂欢节节庆活动具有明显的肉体-物质因素,充满了死亡和新生、交替与更新的精神.《尤利西斯》表现出浓郁的狂欢化色彩.在宴饮与性、葬礼与生产以及拉伯雷式的怪诞形象等狂欢节表层生活里,隐藏着乔伊斯对爱尔兰瘫痪现实的讽刺揶揄和对民族历史的深刻反思.     

A dialogic approach to understanding regime conflicts: the case of the development agenda

Despite the fact that early work on international regimes conceptualised them as dialogic in nature, this fundamental regime property has remained relatively underdeveloped. Drawing on the work of Mikhail Bakhtin and his circle, this article proposes a dialogic framework for understanding regimes and the political struggles that constitute them. Focusing on the contextual and relational properties of signification processes within a regime, one of the key arguments is that neither their dialogic nature nor the trajectory and outcome of a particular conflict can be understood without giving full attention to language as a power-laden form of action. By focusing on how language and discourse are implicated and put to work in a particular instance of regime contestation, namely the Development Agenda proposed by a group of developing countries’ representatives at the World Intellectual Property Organization in 2004, efforts are made not only to bring to the fore the political and ideological nature of the ‘shared understandings’ without which a regime would not exist, but also the manner in which they are reproduced and reinvigorated, even by acts that set out to challenge them.     

Culture and revolution: Bakhtin,Mayakovsky and Lenin (disalienation as [social] creativity)

Abstract

The article shows the dialectic of the relationship of revolution and culture as two sides of creativity - social and art. In a dialogue with the philosophy of Mikhail Bakhtin, the authors reveal culture as the removal of alienation (disalienation) in the process of subject-subjective dialogue, in which a qualitatively new reality is created – Truth, Beauty, Good, a new person is born - a man-creator, and as such, culture is revolutionary. The second side of this connection - the revolution as a culture - is revealed by the authors on the example of the social creativity of revolutionary Russia, the poet of which was Vladimir Mayakovsky. The article gives a panorama of the historical practices of art and social creativity of the 1920s. The authors show that the counterpoint to these practices was the relationship of conformism, bureaucracy and other forms of social alienation which led the Soviet project to the dead end. The authors conclude that disalienation in the social and cultural spheres is possible only to the extent that the sociopolitical revolutionary changes are carried out in unity with the liberation of the cultural potential of the masses, and art creativity is interfaced (united) with social creativity.     

Paradoxes of “Free Floating” and Controversy of Betrayal: Intellectuals' Reflections on Themselves Against the Background of Terror

Throughout the 1900s, intellectuals have been defined as a “privileged minority” (according to Chomsky), or as outsiders, whose “free floating” condition (Mannheim) guarantees their functioning as “custodians of values like reason and justice” (Hofstadter). Julien Benda accused intellectuals of betraying this mission. But, perhaps, betrayal is built into the very nature of their privileged position; perhaps, by pretending to be “free floating,” generations of intellectuals have actually been constructing predictable paradigms, using calamity as a new kind of raw material for the old myth of lucrimax (Etkind). The tragic experience of Russian intellectuals provides us with fresh insight for this discussion.     

Contested meanings,myths and hyperimages of the apocalypse: the Bakhtin Circle and the politicisation of catastrophism

This article considers the depoliticising effects of current images and myths of apocalyptic visions, such that the world faces a catastrophe whether this emerges from environmental degradation, mass migration, terrorism, or global financial collapse. In our digital media age, apocalyptic images are now also captured through the raw footage of actual disaster events. In the article we call such footage, “hyperimages”. The power of the hyperimage is not, as Baudrillard once said, that reality is “just like the movies”, rather, hyperimages demonstrate that the image captured and shown to others is all too real because they depict actual everyday disasters. Importantly, such is the power of hyperimages that they are often employed by the political right to help them construct a hegemonic project aiming to win state power and to influence state policies. Drawing on the Bakhtin Circle, however, we show that hyperimages are also mediated and circulated through a multitude of social groups and voices in society, which contain seeds of radical heteroglossic alternatives to that of the right. Following this, the article then examines how responses to apocalyptic hyperimages can be politicised in a progressive direction.     

论对话主义者洛特曼

苏俄塔尔图符号学派代表洛特曼继承巴赫金对话主义精髓,理论建构上通过主体间的彼此联系构建人的多元存在,弘扬文本的多语性。实践举措上,通过塔尔图学派的自身建设进行对话主义的具体实施。