Umschichtungen im Konzern – keine Änderung der wirtschaftlichen Einflussmöglichkeiten

Keine ?nderung der wirtschaftlichen Einflussm?glichkeiten liegt vor, wenn es zu Anteilsübertragungen oder Umgründungen zwischen konzernverbundenen Gesellschaften kommt, aber sich bei jenen Personen nichts ?ndert, die auf der obersten Ebene den Einfluss ausüben. Derartige Handlungen innerhalb eines Konzernverbunds verwirklichen nicht den Tatbestand des § 12a Abs 3 MRG.     

Antrag auf Zwangsversteigerung aufgrund unechten Fremdwährungstitels hat auf europäische Währung zu lauten

Bei der Zwangsversteigerung einer Liegenschaft zur Hereinbringung einer Geldforderung in der Fremdw?hrung von Staaten, die nicht der Europ?ischen Union oder dem Europ?ischen Wirtschaftsraum (Drittstaaten) angeh?ren (in casu: US-Dollar), hat der betreibende Gl?ubiger schon im Exekutionsantrag wegen des Verbots von bücherlichen Eintragungen auf W?hrungen von Drittstaaten (Art I § 5 Abs 3 1. Euro-JuBeG) eine Umrechnung der betriebenen Forderung in Euro vorzunehmen. Eine amtswegige Umrechnung durch das Exekutionsgericht findet nicht statt. Ein Verbesserungsverfahren zur nachtr?glichen Umrechnung ist wegen der rangbegründenden Wirkung der Anmerkung der Einleitung des Zwangsversteigerungsverfahrens dann nicht zul?ssig, wenn der Exekutionsantrag beim Buchgericht eingebracht wird.     

慈悲为怀：没有宽恕就没有未来——中西文化传统中的“宽恕”

中西文化传统中的“宽恕”是大不一样的。西方的“宽恕”是“为爱而爱”的终极关怀,体现了其“原罪”的价值维度。“原罪”说使“罪”被绝对化、先天化,人的尊严、权利、责任被绝对化、先天化了,并由此造成了信仰维度的存在。这是对人的局限性的自知。中国的“宽恕”是纲常伦理的处理原则,体现了其“原善”的价值维度。“原善”说使属性、本性被绝对化、先天化,人是自己的救主,人性高于神性,罪恶只是外来的污染,因而不存在共同责任,只存在道德责任。它“宽恕”的是可以“宽恕”的,并非不可“宽恕”者。这是对人的局限性的无知。但是,只有“宽恕”不可“宽恕”者,宽恕才存在。所以中国文化传统中的“宽恕”不是“宽恕”,“慈悲”不是“慈悲”。     

A Pacific Sojourn: Anna Kavan and the New Zealand Connection, 1941–2

Abstract

This article examines Anna Kavan’s sojourn in New Zealand from February 1941 to November 1942 in the company of the pacifist playwright Ian Hamilton. Living in the most remote of the ex-British colonies reinforced Kavan’s ontological sense of homelessness and wish to disidentify from British society, yet the colony’s anglophone orientation offered familiarity within the strange and alien. The geography, landscapes and communities of its Pacific islands encouraged a reshaping of her imaginative engagement with otherness. Referring to Kavan’s recently published diary, ‘Five Months Further or What I Remember ab[ou]t New Zealand’, the essay argues that the New Zealand ‘experience’ encouraged her use of tropes of the Gothic and uncanny as she grappled with issues of distance, homelessness and disjunctive reality. The discussion focuses on the alternative/parallel world that New Zealand represents in stories published in I Am Lazarus (1945). It identifies experimental techniques associated with Gothic fiction by which Kavan registers the overlapping dualisms of war-torn London and idyllic rural New Zealand, and represents memory through framing devices and defamiliarizing rhetorical tropes as a distancing activity interrupting the present moment: dream sequences, irruptions into and splittings of reality, space and time reversals, doublings of self/other, disjunctive non sequiturs and ghostly mirror imaging.     

Hearts and Minds: War Neurosis and the Politics of Madness in Anna Kavan's I Am Lazarus

Abstract

Anna Kavan's fictional portrayals of psychiatric breakdown and its treatment provide a unique perspective on the patient's experience of early to mid twentieth-century psychiatry. This article looks in detail at Kavan's time working with soldiers suffering from effort syndrome during the Second World War, observing how the solider-psychiatric patient becomes a figurehead for her radical politics in her Horizon article ‘The Case of Bill Williams’ (1944), and a prominent protagonist in her stories. Through close reading of her correspondence, her journalism and her wartime stories collected in I Am Lazarus (1945), it examines how the intersection of psychological trauma and physiological symptoms characteristic of effort syndrome surfaces in Kavan's writing of this period and in her own psychic responses to the war. It observes the importance of figurative language to her portrayal of war trauma and psychological breakdown, as her characters embody metaphor in their psychosomatic symptoms, and explores a twisted reconception of mind–body dualism prevalent throughout her writing of this period. It goes on to examine how the peculiar interaction of the physical and the psychological extends to the relationship between Kavan's characters and their external environment in her Blitz stories. Against the backdrop of the war-torn city, mind and body engage in ongoing conflict, affect and emotion bleed into her physical landscapes, and everyday objects become animated and hostile towards her protagonists.     

20世纪国际关系领域的基准时间:历史视角中的三次世界大战

基准时间是宏观历史过程中的临界点,标志着一连串的重大变革可能会在较长时间内延续。基准时间具有九条标准,可以分为一等基准时间、二等基准时间和三等基准时间。20世纪的基准时间主要包括三次世界大战(一战、二战和冷战),第二次世界大战前后发生的变革比第一次世界大战和冷战前后的变革都要来得更为深远。将20世纪的三个基准时间置于两个世纪的视角中加以审视,可以突出现代性革命,这种视角能够观察20世纪的三个基准时间在正在展开的"全球性变革"这一大的主题下是否会相互联接、是如何相互联接的。20世纪国际政治的关键事件,都应该被视为19世纪"全球性变革"所引发的发展态势和挑战的后期结果。     

Dis-Assembly Lines: gestures,situations, and surveillances

In “Americanism and Fordism,” Antonio Gramsci offers a brief meditation on the gestural performances of assembly-line workers who, rather than become subordinate to the disciplinary flow of the machine, cultivate perfectly timed gestures that allow workers to hide in plain sight: or, in other words, to inhabit the scene of management otherwise. Rather than extend Gramsci's investment in virtuosic, masterful performances of gesture, this article considers the potentiality of gesture through Lucille Ball's and Tehching Hsieh's performances of bad timing. As different as these performances are in terms of genre and historical situation, each uses gesture as a technique to performatively divide the labor process, producing fleeting temporalities of waste within rhythms marshaled toward production and accumulation. While it tracks the effects of these itinerant gestures, this article reconsiders the oppositions between productive and reproductive work, rationality and emotionality, and work and home that sustain Gramsci's theory, as well as how the collapse of such oppositions introduces alternative historical and artistic trajectories into theories of precariousness.     

Dual-Credit Courses and the Road to College: Experimental Evidence from Tennessee

Dual-credit courses expose high school students to college-level content and provide the opportunity to earn college credits, in part to smooth the transition to college. With the Tennessee Department of Education, we conduct the first randomized controlled trial of the effects of dual-credit math coursework on a range of high school and college outcomes. We find that the dual-credit advanced algebra course alters students’ subsequent high school math course-taking, reducing enrollment in remedial math and boosting enrollment in precalculus and Advanced Placement math courses. We fail to detect an effect of the dual-credit math course on overall rates of college enrollment. However, the course induces some students to choose four-year universities instead of two-year colleges, particularly for those in the middle of the math achievement distribution and those first exposed to the opportunity to take the course in eleventh rather than twelfth grade. We see limited evidence of improvements in early math performance during college.     

Experimental Evidence on the Impacts of Need-Based Financial Aid: Longitudinal Assessment of the Wisconsin Scholars Grant

We conduct the first long-term experimental evaluation of a need-based financial aid program, the privately funded Wisconsin Scholars Grant. Over multiple cohorts, the program failed to increase degree completion and graduate school enrollment up to 10 years after matriculation. The program did reduce time-to-degree for some students and modestly increased the number of STEM degrees earned. The lack of robust effects raises important questions about the conditions necessary for financial aid to benefit students.     

Molecular Identification of Necrophagous Dermestes Species in South Korea Using Cytochrome c Oxidase Subunit I Nucleotide Sequences (Genus Dermestes)

Species identification of necrophagous insects found on a dead body is an essential key in applying medicolegal entomology to the estimation of postmortem interval (PMI). Due to limited morphological identification of insect evidence, several studies have identified species using molecular information such as DNA markers. While considerable cytochrome c oxidase subunit I (COI) gene sequence data of necrophagous fly species have been collected and annotated, those of necrophagous beetle species have not. Since necrophagous beetles such as Dermestes species have a larval period longer than that of flies, beetles are useful in even the late decomposition phase in estimating minimum PMI. To obtain the full-length COI gene sequences of six Dermestes species collected from South Korea, we designed primers for polymerase chain reaction amplification and sequencing. The obtained full COI nucleotide sequences were used for performing phylogenic analysis and comparison with previously reported sequences. The results demonstrated that the COI gene sequences could be used to identify forensically important Dermestes species in South Korea.