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1.
ABSTRACT

Copyright is inherently intertwined with the development of technology and none more so than the advent of the Internet and sharing technologies. More recently, social media platforms have become the latest challenge for copyright law and policy. This article builds on the literature that recognises the underlying conflict between copyright and social networking sites (SNSs); namely that the basic implication of copyright is the restriction of copying, whereas the ethos of social networking is the promotion of sharing. In particular, this article focuses on the disparity between the restricted acts of copying and communication to the public under copyright law and the encouragement of sharing on SNS Instagram. In doing so, it contextualises the debate surrounding copyright and social media and provides an understanding of the legal implications of using Instagram. As such this paper analyses (1) the infringement of copyright protected work on Instagram, and (2) the user-agreement and licensing of copyright material on Instagram. This study concludes that the disparity between the principles of copyright and social media lead to confusion and vulnerability of users. Therefore, it is suggested that Instagram should better inform its users of the implications of sharing third-party content as well as the terms of its user agreement. This could be done by implementing a copyright strategy, which includes a notice and takedown system as well as investing in producing educational content for users. Perhaps SNSs, such as Instagram might be more motivated to take steps to recognise intellectual property rights if they were considered Internet Services Provides such as YouTube.  相似文献   
2.
在新媒介时代,网络空间成为政治传播线上宣传的公共领域,新媒介技术成为不断推动这个领域创新发展的重要力量。新媒介技术下的政治传播格局发生改变,政治传播主体更加多元,政治传播方式更加多样,政治传播的问题也逐渐凸显。转变传统公共政治传播观念,以新媒介技术为支撑,传播优质内容,寻求与公众的政治共识,建立公共传播与公众传播的多向互动格局,增强公众对政府的信任度,能够对新媒介技术下政治传播生态的健康发展产生积极作用。  相似文献   
3.
Abstract

In a crisis, aid providers deliver humanitarian relief across a hierarchy of organisations where influence and capacity map to their scale of operations. On the front lines of crises, ‘citizen aid’ is what small, local and informal groups offer to fellow citizens. These citizen aid groups are well-networked in place and tend to work through longstanding personal relationships. In the Philippines, citizen aid groups frequently support their activities by documenting their work with photos of beneficiaries to solicit donations from within the country and around the world across social media platforms. This paper builds on recent debates on brokerage through a case study of citizen aid in the relief effort after Typhoon Haiyan (2013–2017). Using this case-study approach, we demonstrate how social media has produced novel forms of brokerage shaped by circulating images online. This new kind of brokerage involves a layered network of brokers that both shapes citizen aid efforts and creates new channels for localising aid, enhancing the control of citizen groups in the Global South over aid.  相似文献   
4.
漓江是桂林的母亲河,是桂林旅游业的精华和精品。要更好地治理漓江,经营漓江,促进漓江旅游业的可持续性发展,必须注重水生态的保护与修复。  相似文献   
5.
由于风险投资产业在经济发展中所起的作用日益突出,政府有必要在政策上对他们予以扶持。本文从创造有效竞争的制度环境,建立高效率的价格管理体制,注意产业的整体规划和协调发展等几方面论述了政府应起的作用。  相似文献   
6.
简论网络游戏产业的发展   总被引:2,自引:0,他引:2  
随着网络的发展,网络游戏已经产业化,目前我国网络游戏在产业链中处于弱势地位,其市场的背后也存在着不同程度的混乱现象,必须从政策上、人才上、宣传上加大对于网络游戏研发的支持,加强对于网络游戏不良内容的监管,从各方面促进网络游戏的健康发展。  相似文献   
7.
8.
改革开放的20年间,中国传媒业的改革取得了显著的成就,但还面临不少危机,如集团化改革难以推进,专业化频道与公司化运做举步维艰,过分依赖广告造成广告压力巨大,市场化要求下求生存,旧有人事制度限制人才发展等。为了适应经济全球化和我国经济社会发展的需求,必须采取有效措施,加大力度,对我国电视传媒业实施进一步的改革:逐步实现跨媒体、跨行业、跨地域的多元化经营;改变单一的广告盈利模式,推进电视频道专业化进程;适应市场需求,逐步实施电视产业企业化经营等。  相似文献   
9.
工业是俄罗斯远东地区的主导经济部门。2001年远东工业仍未走出低谷,但有的工业部门生产已出现恢复性增长。按部门概述远东工业生产运行状况,指出存在的问题及成因,以探讨解决问题的途径。  相似文献   
10.
Legal context: The article reviews the commercial risk allocation clauses intypical open source licence terms and discusses their enforceabilityand implications. Key points: The enforceability of warranty disclaimers and limitation ofliability clauses in common open source licence terms is questionable,particularly in a cross-border context, and commercial licensorsshould take additional steps to protect themselves from down-streamrisks. Practical significance: Open source software presents a number of unusual commercialissues, because it is available free of charge and the providerstry to disclaim warranties and liabilities. End users and resellershave to adjust their own in- and out-licensing models to accommodatethis situation.  相似文献   
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