拍照、摄影与照相证据

拍照、摄影是侦查机关为证实犯罪、保全证据之目的，对犯罪现场、犯罪嫌疑人及被害人等场所或人身进行照相取证，是一种具有强制性的侦查措施。由于拍照、摄影会对拍摄对象的个人尊严及隐私权等造成侵犯，需要遵守法定的条件及程序。我国刑诉法对拍照、摄影未作出明确的规定，实践中普遍存在侵害犯罪嫌疑人、被害人隐私权的情况。有必要修改刑事诉讼法，增订拍照、摄影的法律规定。     

GrinLine Identification Using Digital Imaging and Adobe Photoshop*

Abstract: The purpose of this study was to outline a method by which an antemortem photograph of a victim can be critically compared with a postmortem photograph in an effort to facilitate the identification process. Ten subjects, between 27 and 55 years old provided historical pictures of themselves exhibiting a broad smile showing anterior teeth to some extent (a grin). These photos were termed “antemortem” for the purpose of the study. A digital camera was used to take a current photo of each subject’s grin. These photos represented the “postmortem” images. A single subject’s “postmortem” photo set was randomly selected to be the “unknown victim.” These combined data of the unknown and the 10 antemortem subjects were digitally stored and, using Adobe Photoshop software, the images were sized and oriented for comparative analysis. The goal was to devise a technique that could facilitate the accurate determination of which “antemortem” subject was the “unknown.” The generation of antemortem digital overlays of the teeth visible in a grin and the comparison of those overlays to the images of the postmortem dentition is the foundation of the technique. The comparisons made using the GrinLine Identification Technique may assist medical examiners and coroners in making identifications or exclusions.     

构建现代女性的媒介视觉形象——以《妇女时报》的女性摄影形象为例

《妇女时报》的编辑者自觉地大规模刊登女性照片,这在女性报刊史上尚属首次。这些女性摄影形象展现了清末民初上海中上层社会女性的现代生活方式、人生理想和性别观念。她们既是现代性进程的产物,又借助于媒介的构建作用而反作用于女性群体本身。她们以其过渡时期特有的矛盾特质,标志着从传统向现代的转变,开辟了现代女性视觉形象的第一个阶段。从此,围绕女性形象的视觉文化进入了现代时期。     

Fighting for Fame: The ‘Heroines of Pervyse’ and the Disputed Construction of a Public Image

Abstract: This investigative analysis bases itself on an array of documentary material from the archives of the Imperial War Museum in its effort to recover the intricate story behind the two British volunteer nurses who made their name during the First World War with the first-aid station they set up in Pervyse, a mere stone's throw away from the Belgian firing line. The essay juxtaposes a variety of documentary sources—the unpublished diaries of the two women, Geraldine Mitton's reconstruction of the story out of the nurses' journals and letters in The Cellar-House of Pervyse (1916), and two photograph albums, ‘The Women of Pervyse’, bequeathed to the Imperial War Museum—in a quest to understand how the two nurses came to acquire their status of national heroines. Sifting through the source material, this investigation reveals the numerous inconsistencies and gaps that exist between the published and the unpublished accounts of the dressing station, whose true genesis is obscured by several competing narratives. A close reading of Mitton's account and the photographic portraitures discloses that neither of these documents ought to be taken at their face value. They need to be understood as valuable tools in the nurses' own battle for authority, public recognition and their opportunity to feature as genuine protagonists in the arena of war.     

Europeans of the Peruvian Andes: A Family History, 1860s–1940s

Liberal elites in nineteenth-century Peru were eager to attract European immigrants to help modernise their country. The majority arrived independently bringing commercial skills, while a minority, contracted as colonists, settled in the tropical lowlands. This article focuses on two European communities established in the central Andean region, where immigrants from northern Italy excelled as merchants and families from the Austrian Tyrol became smallholders. Through a reconstruction of one family's history, which draws on personal letters and a photograph, the article explores the experiences, character and socio-economic transformation of these communities and the significance given to European-ness and whiteness.     

Photographic Image Comparison of Vegetation

Images and videos are common types of evidence in crime scene investigations and laboratory analysis. Images may be taken by the suspect and/or by crime scene investigators and may serve as crucial elements in forensic laboratory analysis. Forensic photographic image comparison is the process of comparing one or more objects or persons in photographs/images when at least one image is known to be related to a crime. The forensic examiner usually compares the images in order to determine whether or not an association between the exhibits in the images can be made. This paper proposes an extension to the currently prevalent photographic image examination method. The extension introduces comparison of landscape and vegetation over time. It is revealed that similarities between images may still be found between the period of time the suspect photograph was taken and the period the crime scene investigator took the photograph from the same area. In this case report, two suspects to be involved in growing a marijuana field were arrested by the police. The forensic experts were asked to examine images taken by the crime scene investigators and to compare them to the images found in the suspects’ phones. They then tried to determine whether the suspects could be linked to the specific locations. While applying techniques derived from morphological comparison methodologies, the plants at the scene provided significant additional information. A tree trunk, branches, and twigs on a hedge in the photographs revealed specific individual characteristics that led the examiner to reach a conclusive decision.     

Photographic comparison of surface topography as a viable solution when physical match is challenging

Physical matching methods are a family of well‐known methods that are utilized in order to determine whether two pieces of a tearable/breakable material used to be one object. When performing physical match of polymers, it is sometimes difficult to reach an unambiguous conclusion. This is due to various reasons. One is when the tear/fracture resides in an inaccessible or hidden‐from‐view region of the piece. Another is when the shape of the tear/fracture at the object's tear/fracture line is insufficient for deducing a complete match. Third is deficiency of material along this line. These are examples of processes where the line is affected so drastically, so that a match renders impossible. Specifically, when addressing elastic materials, the tear/fracture line may even be squashed. This may also be a reason for difficulty in performing a physical match. In this paper, a method is proposed where a match is alternatively achieved by means of photographic comparison of marks on the surface topography of the pieces‐in‐question. Comparisons of pairs of torn pieces of silicon rubber were made. The procedure involved photography of the surface topography the pieces. Then, the photographs were horizontally mirror‐flipped. Lastly, a comparison was made between two photographs: a photograph of one piece and a mirror‐flipped photograph of the opposite piece. The results show that after comparing the pieces to one another, only one unique pair turned out to be positively matched. Using the proposed method, not only the comparison is done by a more informative method (comparing to physical match), it is also more convenient, faster, less expensive, and technically simpler.     

Photographic Analyses Using Skin Detail of the Hand: A Methodology and Evaluation,

Skin features have been employed by law enforcement agencies for suspect and victim identification. Comparisons of hand have arisen in casework where images have been submitted where a face was not present but a hand was visible. This research utilizes a collection of 128 hands from employees of the U.S. Army Criminal Investigation Laboratory to examine the frequency and distribution of skin detail on the dorsal surface of the hand. To assess the location of features, the hand was segmented into 14 regions using readily discernible anatomical landmarks. Overall, 2618 pigmented lesions and 92 scars or injuries were documented. When comparing the regions with one another, Regions 1–10 had fewer pigmented lesions than Regions 11–14. There was no pattern to the distribution of scars throughout the regions. The findings presented a foundation for one possible method that may differentiate hands based on the frequency and distribution of such features.