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This article explores “The June Tyson Sessions,” a collaborative experimental sound project that employs remix as method to re-materialize the performativity of the voice of June Tyson, the former lead singer of the Sun Ra Arkestra. Using only samples of Tyson's voice, “The June Tyson Sessions” seeks to resituate Tyson herself as a cosmic artisan, composer of forces, and arranger of forms, affirming the cosmic potentialities immanent to Tyson's vocal performances that Ra may have overlooked, sonically following a line of flight toward a becoming-woman that is integral to, yet rarely emphasized in, the broader scope of the Arkestra's becoming-cosmic.  相似文献   
3.
《Communicatio》2012,38(3):279-292
Abstract

The dominant theoretical paradigm in contemporary South African media studies is one which encourages scholars to focus on questions of representation: on the content of media texts, on how accurately they portray the world, and on how individuals or groups react to those portrayals. While acknowledging the value of this orthodox approach, we argue that attention to the non-representational or material dimensions of mediated experience raises important new issues for the discipline, doing greater justice to the intimate material role the media play in the world and also serving as a first step towards reconceptualising human subjectivity in a way that goes beyond the traditional subject–object epistemology of modern humanism. We use an example from film melodrama to illustrate how the affective and phenomenological dimensions of the film-viewing experience can promote a positive pre-discursive engagement with (human) being – with what Deleuze characterises as ‘a life’. In this case we link affective engagement to the possibility of a regenerative politics that may begin to challenge and supplement the increasingly suspect modern political tropes of agency and identity.  相似文献   
4.
The ‘new’ of new materialism should not be read as current feminism's distancing from or disavowal of the legacy of previous feminist movements. This past cannot be left behind as it is enfolded—both conceptually and materially—and reconfigured as feminism's current theorizing and political action. This article argues that this cultural inheritance is at the same time corporeally manifested in the biology of feminist bodies. Such a contention is inspired by Karen Barad's argument that concepts, ideas and other social phenomena are specific physical arrangements materialized through apparatuses. Barad insists that the relationships between the social, political and discursive and physical matter are not relations of externality. Instead, there is a complex entanglement where the differences between the cultural and the physical are matters of making separate rather than there being two radically separate realms. Barad's claims are supported by epigenetic research into the intergenerational health effects of the experience of social stigma. The results of this research suggest that an individual's environment, both physical and social, current and historical, manifests in biology at the molecular level. So politics, then, is a truly material practice which is at the same time constitutive of its practitioners. New materialism's history of feminist action and theorization can never be excluded from current practices of feminism but neither can it determine them in advance. Politics and feminism are particular, contingent, material histories, with each practitioner reconfiguring her or his specific biological and social materialization as their present-day political and feminist actions.  相似文献   
5.
王延川 《行政与法》2010,(10):100-102
在证券市场中,信息披露产生于交易公平的考虑,即为了保护投资者的利益,上市公司必须在一定的时间和一定范围之内公开自己的某些财务和业务信息。但基于成本的考虑,信息披露又应该有所节制。以"实质重要性"作为证券市场信息披露的标准,才会实现公平和成本的平衡。  相似文献   
6.
ABSTRACT

During the reporting of the 1992–95 Bosnian War, the bright yellow Holiday Inn played host to many of the most renowned characters involved in documenting, resolving and perpetuating the conflict. It provided the visual background for numerous television broadcasts, provided the infrastructure to send the reports around the world via satellite and created the environment to negotiate agreements and hold conferences and briefings. But the building has never been regarded as anything more than a neutral or slightly bizarre backdrop to the events that took place there before, during and after the conflict. Closer examination reveals three ways in which the hotel needs to be considered as co-constitutive of the conflict: (1) in the conflict geography and conflict epistemology; (2) in the forging of a common international subjectivity; and (3) as a material, symbolic and informational resource. Taken together, this also contributes to considerations of how the built environment is an integral part of understandings of contemporary conflict.  相似文献   
7.
试论审计报告的改进   总被引:1,自引:0,他引:1  
现有审计报告所采用的标准格式,仅凭四种简短的意见类型来反映各种差异化的审计结果,无法告知用户所审计财务报告与既定标准之间的符合程度,很难充分发挥审计报告应该起到的作用。审计报告应明确重要性水平,充分体现审计质量差异,将更多的审计信息传递给用户。  相似文献   
8.
家庭暴力问题日益受到社会关注。在当前的社会条件下 ,通过物质性赔偿和精神性赔偿实行家庭暴力的婚内赔偿已经具有较好的法律基础和物质基础 ,可以通过进一步完善夫妻财产制、制定《家庭暴力防治法》、提高司法救济力度等措施予以构建家庭暴力的婚内赔偿制度  相似文献   
9.
Abstract

Drawing on recent discussions of the material cultures of markets and of financial innovation as bricolage, this paper explores the development of Island, a new share-trading venue set up in 1995. We examine Island's roots in a very specific conflict in the US financial markets and in the information libertarianism of ‘hacker culture’, and examine the material bricolage involved in Island's construction. The paper also outlines the processes that led to a dramatic ‘Latourian’ change of scale: Island was originally a ‘micro’ development on the fringes of US markets, but within little more than a decade key features of Island became close to compulsory, as the nature of North American and Western European share trading changed utterly.  相似文献   
10.
ABSTRACT

This article takes up and make the case for the study of Covid-19 through the lens of feminist new materialism and asks how this approach might draw out perspectives and insights overlooked by other frameworks. I begin with a brief introduction to Covid-19 followed by an analysis of the virus through the lens of feminist new materialism by drawing on the work of Karan Barad (2003), Rosi Braidoitti (2011), and Jane Bennett (2004). I contend that the interconnected frameworks articulated by each of these theorists provides the basis for a more robust understanding of the viral non-human (Covid 19) and everyday objects (the toilet roll and medical masks) whose agentic power is embedded in larger assemblages of natureculture. This kind of analysis is urgent in light of our current media-saturated, interconnected, highly politicized, and expert-adverse environment.  相似文献   
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