论刑法中的包摄错误

包摄错误是指行为人对于构成要件要素理解错误,误认为自己所为行为不能为刑法所包摄。从法律效果上来讲,包摄错误不构成事实错误,但是有可能构成禁止错误。反面包摄错误作为幻觉犯的形态之一,不构成犯罪。     

法律推理基本形式的结构分析

法律推理理论的核心在于结构问题,而对推理基本形式的研究正是围绕这一点展开的。考夫曼的“四分法”模式与阿列克西的“三分法”模式为此提供了很好的出发点。相比之下,后者的分类更为可取,但仍然存在问题。在规范性论证视角下,法律推理的基本形式必然要体现出论辩理性的特点。为此需要划分不同的论证阶段与论证前提来分别对应涵摄、权衡与类比这三种基本形式。它们构成了法律推理之规范性模式的组成部分。     

Voices from the feminine margin: Izumi Shikibu and the nuns of Kumano and Seiganji

Kara Walker's 2005 multimedia creation, Song of the South, marks an important transitional moment in Walker's critical artistic practice, described in this essay as a ‘performative turn’. A close study of the work reveals Walker's increasing attentiveness to engage with the viewer's presence as well as incorporating her own personal and collective experiences as an African-American woman with even greater intimacy than in her previous projects. These elements, combined with Walker's use of filmic interventions and her own body as both a represented image and live performer, result in the production of a richly layered and provocative work of art. Song of the South reflects Walker's continued ability to exacerbate the stinging wounds of history while challenging us to address the trauma of the past as manifested in today's societal ills.     

拉伦茨裁判方法之系统分析

拉伦茨方法论体系的基础是欧洲传统的“名判”逻辑技术,其目标是达到个案的公平判决。当作为裁判依据的总体法与条法不足时,法官可“续造法”。所续造的“法”不是条法,而仅是为达到公判而对诸条法的自主运用,它应该有“现行法”的拘束力。为使体系内自主运用条法成为可能,本来不足的体系内“条法库”由审判员以诸种技术补足。介于法律准则之间的或宪法内条法的不谐则依赖“法益衡量”技术解决。因片面突出法官的自主地位,拉伦茨方法论在本质上是现代法治社会一种尚需调制的折衷系统。