A Pacific Sojourn: Anna Kavan and the New Zealand Connection, 1941–2

Abstract

This article examines Anna Kavan’s sojourn in New Zealand from February 1941 to November 1942 in the company of the pacifist playwright Ian Hamilton. Living in the most remote of the ex-British colonies reinforced Kavan’s ontological sense of homelessness and wish to disidentify from British society, yet the colony’s anglophone orientation offered familiarity within the strange and alien. The geography, landscapes and communities of its Pacific islands encouraged a reshaping of her imaginative engagement with otherness. Referring to Kavan’s recently published diary, ‘Five Months Further or What I Remember ab[ou]t New Zealand’, the essay argues that the New Zealand ‘experience’ encouraged her use of tropes of the Gothic and uncanny as she grappled with issues of distance, homelessness and disjunctive reality. The discussion focuses on the alternative/parallel world that New Zealand represents in stories published in I Am Lazarus (1945). It identifies experimental techniques associated with Gothic fiction by which Kavan registers the overlapping dualisms of war-torn London and idyllic rural New Zealand, and represents memory through framing devices and defamiliarizing rhetorical tropes as a distancing activity interrupting the present moment: dream sequences, irruptions into and splittings of reality, space and time reversals, doublings of self/other, disjunctive non sequiturs and ghostly mirror imaging.     

后"伊斯兰国"时期恐怖意识形态蔓延:一个新的讨论框架

当前,国际联军打击“伊斯兰国”战事已进入尾声,然而,地面战场的失败并不意味着“伊斯兰国”思想的消亡。从萨拉菲-吉哈德主义极端意识形态发展脉络框架下考察,“伊斯兰国”在这一思想脉络中的独特历史地位塑造了它当前与未来的思想发展方式。国际社会需要认识到,当前反恐战争所面对的“战败者”可能并不认为自己已经失败,其意识形态过去近半个世纪危机式发展赋予了“伊斯兰国”面对失败的独特抵抗能力。“基地”组织在2011年被击溃后的历史也证明,在可预见的未来,“伊斯兰国”将很有可能继续在扩大其基本怀旧式叙事、赋予战败以合法性的同时,还将通过“全球恐怖商标”下的“特许经营”模式,将一种“暴力即思想”的恐怖思想内核进一步扩散并升级。国际社会打击“伊斯兰国”战争,可能刚刚到一个需要进行“中期评估”的时候,这场战争远未结束。     

Becoming patriots in Russia: biopolitics,fashion, and nostalgia

The article seeks to explore the common ground between biopolitics, fashion, patriotism and nostalgia. Taking off from the Foucauldian notion of biopolitics as a control apparatus exerted over a population, I provide an insight into the modern construction of the Russian nation, where personal and collective sacrifice, traditional femininity and masculinity, orthodox religion, and the Great Patriotic War become the basis for patriotism. On carefully chosen case studies, I will show how the state directly and indirectly regulates people’s lives by producing narratives, which are translated (in some cases designers act as mouthpieces for the state demographic or military politics) into fashionable discourses and, with a core of time, create specific gender norms – women are seen as fertile mothers giving birth to new soldiers, while men are shown as fighters and defenders of their nation. In the constructed discourses, conservative ideals become a ground for the creation of an idea of a nation as one biological body, where brothers and sisters are united together. In these fashionable narratives, people’s bodies become a battlefield of domestic politics. Fashion produces a narrative of a healthy nation to ensure the healthy work- and military force.     

A marriage made in heaven: the functioning of patriarchy and nostalgia in Boer soek ’n vrou

This article explores the functioning of patriarchy and nostalgia in a South African reality television series, Boer soek ’n vrou. A hermeneutical analysis is used to unpack visual and verbal narratives that depict romantic relationships and an idealised future. Concepts such as nostalgic appropriation, benevolent patriarchy and the courtship narrative are explored to illustrate the latent patriarchal agenda which is conveyed to the audience. Interactions between the two genders not only naturalise but also reaffirm gender stereotypes. Throughout the series, female contestants are relegated to the sphere of domesticity whereas male farmers are shown as active social agents. Footage that sentimentalises the farmers’ feelings is also used to regenerate Afrikaner masculinity, arguably as a direct result of the perceived loss of male authority. This ‘renegotiated’ image of a white, heterosexual man is indistinguishable from the historical, patriarchal portrayal of men. In the series, patriarchy and nostalgia collaborate to create a cultural product that can be commercially marketed. The colonial gaze is employed to depict farms as picturesque spaces where benevolent patriarchal power relations are enforced. selective erasure, however, distorts reality and exploitative power relations remain hidden from the audience.     

An Ever-Shadowed Past? Citizens’ Attitudes towards the Dictatorship in Twenty-First Century Portugal

Abstract

Several years after the transition to democracy, positive attitudes towards the authoritarian past are still observable in Portugal: the belief that the previous regime had more good things than bad things is expressed by about one-fifth of the Portuguese. What explains this nostalgic sentiment? Are factors such as socialisation under the regime, party identification or religiosity more important than satisfaction with democracy and the state of the economy? The empirical analysis suggests that the relevance of these factors varies considerably, but socialisation phases lead to different stances on the past both in routine times and in times of economic crisis.     

Nostalgias

Abstract

This paper launches a thought experiment the aim of which is to recover and defend an idea of nostalgia as something other than merely maudlin yearning after the days of yore. Much critical comment on nostalgia, in everyday parlance and in academic debate, begins from the standpoint that the time longed for was never really as it is now, nostalgically, imagined. The force and validity of this jibe is admitted in this paper, but it argues that the concept of nostalgia can be reshaped and turned in quite different less reactive directions. A distinction between Nostalgia and nostalgias is coined in order to introduce a plural and critical version of nostalgic memory. The play of memory in nostalgias is exemplified through a focus on four topoi of experience which are strained, possibly even shattered, by the digitalisation and rationalisation of contemporary culture and society. Nostalgias of and for the body, nature, thought, and modernity itself are explored by comparison to themes of melancholy and utopia which arise in Frankfurt School critical theory as responses to a similarly perceived trauma and triumph of instrumental reason. I argue that ultimately the distinction between nostalgias and Nostalgia cannot be maintained - nostalgias are rather types or tropes of Nostalgia. However, through thinking Nostalgia along the lines of this neologism (nostalgias) we might come to see its dynamic and critical mnemonic potencies. Hence, the paper concludes that nostalgia ought not be simply contemned and dismissed as the conservative freezing of memories and images of a fake past.     

Post-socialist deindustrialisation and its gendered structure of feeling: the devaluation of women’s work in the Croatian garment industry

ABSTRACT

This paper examines the devaluation of women’s industrial work during the transition from market socialism to capitalism in Croatia. On the basis of oral history interviews with former workers from the Arena knitwear factory in Pula, it explores the gendered structure of feeling created by socialist industrialisation, and its transformations during post-socialist deindustrialisation. In socialist Yugoslavia, female industrial workers participated in the discourses and practices of workers’ self-management. Despite their hard work and their low wages, most workers fondly remember the factory as a space of socialisation, solidarity and empowerment. The factory functioned as a redistributive centre for accessing welfare rights. After post-socialist transition, workers experienced worsening social rights, precarity and exploitation as a result of deindustrialisation, privatisation and the neo-liberal withdrawal of the welfare state. Workers’ nostalgic narratives about their work experiences during socialism are mobilised to reclaim the dignity and value of work in post-socialist times.     

绵绵不绝"乡愁"路——读《归乡》

在当代台湾文坛上,陈映真是一个关注生活、拥抱世界的入世型作家。他师承鲁迅,被誉为“台湾的鲁迅”。陈映真的中篇小说《归乡》继承了他的一贯风格,从关注小人物的命运入手,用形象和情感来诠释海峡两岸人民向往统一的主题,生动而深刻,真正践行了“铁肩担道义,妙手著文章”的现实主义的艺术追求。     

The appeal of nostalgia: the influence of societal pessimism on support for populist radical right parties

In the literature, explanations of support for populist radical right (PRR) parties usually focus on voters’ socio-structural grievances, political discontent or policy positions. This article suggests an additional and possibly overarching explanation: societal pessimism. The central argument is that the nostalgic character of PRR ideology resonates with societal pessimism among its voters. Using European Social Survey data from 2012, the study compares levels of societal pessimism among PRR, radical left, mainstream left and mainstream right (MR) voters in eight European countries. The results show that societal pessimism is distributed in a tilted U-curve, with the highest levels indeed observed among PRR voters, followed by radical left voters. Societal pessimism increases the chance of a PRR vote (compared to a MR vote) controlling for a range of established factors. Further analyses show that societal pessimism is the only attitude on which MR and PRR voters take opposite, extreme positions. Finally, there is tentative evidence that societal pessimism is channelled through various more specific ideological positions taken by PRR voters, such as opposition to immigration.     

Unattainable past,unsatisfying present – Yugonostalgia: an omen of a better future?

Nostalgia for the Socialist Federal Republic of Yugoslavia, yugonostalgia, has become widespread throughout the former Yugoslavia. It takes various forms and expressions, but it represents a selective and largely embellished remembrance, influenced by the need of those who engage in it to escape from the unsatisfying present they live in. In most cases, yugonostalgia is a bittersweet craving for the past – passive, static, and restricted. The paper argues that the actions inspired by yugonostalgia not only can have an active, dynamic, and progressive face, but can also serve as an important factor in the reconciliation process among former Yugoslavs. With its focus on positive and inclusive aspects of the common socialist past, yugonostalgia has the potential to (re)connect the nostalgic subjects throughout the former Yugoslav space, helping them to overcome the alienation that resulted from the violent dissolution of the common state.