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戴剑平 《学理论》2009,(21):131-132
电视是一类大众传播媒介;电视与艺术是互动的且密不可分的;电视艺术是一个带有非确指性的“双解”的概念。  相似文献   
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In 1957 Arries Ann Ward, who was formerly enslaved, appeared on the classic television interview-entertainment program, This Is Your Life. Despite Ward’s practices of refusal, the rare interview enacts an idealization of black female servitude and indebted obligation through performances of affection and racial benevolence. Ward’s appearance effectively works to resolve national crisis produced by widespread images of civil-rights protest and counterinsurgent violence, reifying discourses of American exceptionalism in Cold War context.  相似文献   
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This article illuminates how performances of gender, race, and sexuality are integrated with representations of food and food performance in contemporary American cooking television. Interrogating the intersections of food, gender, race, sexuality, and performance, this essay explores how the cable-television show, Down Home with the Neelys, depicts a nouveau gastro-porn anchored in the perceived pornographic level of blackness itself. The author reveals the ways that food and performances of food become a medium of gendering and racialization employed by American popular media. Through the lens of reality television, shows like Down Home (re)produce a certain type of black heterosexuality and gendered enactments of domesticity and space, while challenging dominant televisual reflections of black love and labor. The author argues that the Neelys self-consciously employ a vernacular aesthetic performative of “down home” (a uniquely classed, temporally–spatially situated, and sexualized blackness) to exploit the phenomenon of gastro-porn in a highly lucrative performance that signals the entangled artifice of gender, race, and sexuality. More than offering culinary expertise and education, such cooking instruction reveals the pedagogy of gender, race, and sexuality as visual lessons of a complex and contradictory authenticity. This essay reveals television cooking shows as critical sites for considering the domestic laboring of gendered and racialized sexualities. In particular, shows like Down Home evince the ways that race continues to be rendered in visual terms and the enduring edibility of blackness.  相似文献   
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公安影视文学作品由于其题材的特殊性,要求更加注重社会效益与舆论导向,因此有必要对公安影视文学创作中存在的悖论等问题引起重视,通过研究分析,把握问题脉络,并提出有效的应对措施,寻求最佳的解决方法与策略。  相似文献   
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When a lead character in a critically acclaimed and award-winning television programme is depicted as a proficient and meticulous heroine with a mental disorder, it is crucial to examine if this reflects a change in the media depiction of people with mental illness. This article employs framing analysis to examine the portrayal of lead CIA agent with bipolar disorder, Carrie Mathison, in Homeland. Although the show did initially associate competence, intellect and astuteness to this character, as it progressed, the framing decisions used for dramatic and sensational purposes ultimately presented Mathison within the usual stereotypical depictions: as impulsive, irrational, unpredictable, unstable, dangerous and disordered. Given the popularity of the show, responsible depictions should take priority over dramatic effect at the expense of a character with mental illness because sufferers may be deterred in speaking about their illness and seeking appropriate treatment if such negative themes persist.  相似文献   
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电视节目模板的法律保护   总被引:6,自引:0,他引:6  
罗莉 《法律科学》2006,24(4):132-137
电视节目模板已经在国际上形成了一个巨大的产业,但人们对它本身的认识及其法律保护问题仍存在着巨大的分歧。在各国现行的法律框架下,虽然电视节目模板的某些元素分别受到不同法律的保护,但电视节目模板作为一个整体往往不符合版权法的保护标准,也很难受到反不正当竞争法的保护。  相似文献   
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文化冲突理论与青少年犯罪   总被引:1,自引:0,他引:1  
“文化冲突”理论是犯罪学领域中的一种理论,它将文化冲突问题运用于研究犯罪成因。文化冲突存在于两个层面,即外表冲突与内心冲突,基本冲突与从属冲突。将文化冲突理论运用于研究青少年犯罪问题,不仅能够使我们认识到文化冲突是青少年犯罪的一个重要诱因,进而还能够在如何治理青少年犯罪的问题上得到有益的启发。影视剧分级制度能够从源头上解决一部分的文化冲突,从而减少青少年犯罪的可能性。  相似文献   
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论电视法制节目传播过程的"双重编码"与"双重解码"   总被引:1,自引:0,他引:1  
电视法制节目的传播过程存在“双重编码”与“双重解码”的现象。由于法律高度专业化的特点,电视法制节目在普通编码之前还存在法律编码的环节,电视法制节目的受众在普通解码之后还存在法律解码的环节。对于电视法制节目的“双重编码”“双重解码”现象的研究有助于我们进一步分析与把握电视法制节目传播的规律,从而完善我国的电视法制节目。  相似文献   
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正IN 2013,Chinese President Xi Jinping recounted a story about a Chinese couple’s fondness for Tanzania in East Africa:"There was once a Chinese couple who,fascinated by images of Africa they had seen on the television,chose to go to Tanzania for their honeymoon.They were enchanted by local customs and extraordinary scenery of the wild Serengeti Plains and fell in love with the country.Back home,the young couple posted a record of their journeys on a blog,which received tens of thousands of hits and hundreds of comments.They said,‘We have fallen in love with Africa and our hearts shall never leave this wonderland."This was Li Ling’s story."I have  相似文献   
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