泰国：20世纪二三十年代海外潮剧的中心

泰国潮剧源于中国。20世纪二三十年代,伴随着现代化的进程,泰国潮剧逐渐本土化,并对中国潮剧产生一定的影响,成为海外潮剧的中心,对潮剧艺术的发展做出了巨大的贡献。同时,潮剧在泰国与中国之间的地理位移意味着这一特殊戏曲艺术在整体格局中的边缘与中心地位的互换,其后隐藏着特定的社会背景和历史渊源,给予人们深刻而独特的文化启示。     

罚金刑在近代刑法中的确立——以1907年大清刑律草案的相关规定为视点

清末10年修律,首当其冲的就是刑事法律的改革。1907年10月,沈家本主持的修订法律馆上奏中国近代第一个刑法草案——大清刑律草案,在中国刑法史上第一次将罚金确定为五大主刑之一。从1908年到1910年,中央各部院堂官、地方各省督抚、将军都统陆续上奏对大清刑律草案的签注意见,其中涉及罚金的主要问题有:罚金定为主刑问题、罚金单位和等级问题、罚金易刑问题、罚金适用的过轻与过重问题、罚金与赔偿金的关系问题。回顾和分析罚金刑在中国近代刑法中的确立过程,将使我们在微观层次上对“会通中西”的法律变革原则有新的体悟,并有利于对近代“礼法之争”的再认识。     

英美法系与中国的法人越权原则之异同

法人越权是指法人的行为超出了章程规定的目的范围。其中如何平衡投资者、法人及交易相对人的利益是关键问题。研究英美法系的主要国家对法人越权问题的研究发展状况 ,可以对我国应采取的措施有些启示     

新式公共管理的兴起对英国警务改革的影响

新式公共管理作为一次声势浩大的行政改革运动 ,席卷了大多数西方国家。通过考察最先掀起这次行政改革浪潮的英国政府 ,我们试图理清这次改革的发展脉络并探寻其所具有的特点。在此基础上 ,我们以英国政府所进行的一系列的政府改革作为背景 ,审视了作为政府中的一个重要组织———警察部门的变化 ,并探寻这一行政改革活动在英国警察部门中的表现和对其所产生的影响。     

Spinning Europe: Pro-European Union Propaganda Campaigns in Britain, 1962–1975

The impact of pro-European Union (EU) propaganda campaigns in Britain has been neglected within EU studies and in the recent work on the Europeanisation of political parties, trade unions and the British state. Bringing together the few sources of information that exist, this article documents the three government-organised pro-EU propaganda campaigns of the 1960s and 1970s. It specifically discusses the campaigns in 1962—63 to bolster public support following Britain's first application to join the EU, in 1970—71 to prepare the public for accession, and in 1974—75 to ensure continued membership in the 1975 Referendum.     

Contracts, Compacts and Control: New Labour and Personal Responsibility

The 2004 report Personal Responsibility and Changing Behaviour: The State of Knowledge and its Implications for Public Policy by the Prime Minister's Strategy Unit is an attempt to draw together social science literature that explains why it is difficult for governments to influence individual citizens. Underlying this is the idea that across diverse areas of policy, state provision of services often has much less impact on outcomes than does an individual's behaviour. Therefore to improve outcomes, government needs to be able to encourage 'personal responsibility'. The authors focus mainly on the role of contracts in changing behaviour in a whole range of different areas; from ASBOs and crime prevention, to home-school agreements and education policy. This report appears to underpin much of the thinking within New Labour as to future policy, and reveals how ideas of personal responsibility are likely to be key to New Labour's manifesto commitments prior to the 2005 general election.     

英国新一轮警务改革给我国公安改革的启示

英国新一轮警务改革的主要内容包括:设立专门的警务标准机构;强化科学统一的绩效考核;积极推行国家犯罪情报模式;变革警务活动主体结构。其经验给我国的警务改革提供如下启示:密切警民关系,走群众路线;发挥公安院校的作用;加强情报工作;建立一个专门的警务标准机构,实施科学、统一的警务绩效考核办法;把握未来,跨越时代。     

胡志明的大团结思想

本文主要介绍越南人民的领袖胡志明一生中提倡的关于民族大团结的主要观点，并谈了作者的一些体会。     

灵渠历史价值的重新定位与文化战略的民间实施

我国秦代有两项事关国家发展和民族安宁的伟大工程,即长城与灵渠。从文化特色上看,长城体现的是保守型的文化思维,而灵渠则借助运河的沟通,显示了中华文化的开拓性。这两项工程在两千多年的历史长河中,为推动中华文明的进步与繁荣均作出过卓越贡献。但是,今日之国人却多知有长城而鲜知有灵渠。不光是普通百姓对灵渠知之甚少,即便是理论界的一些专家学者能对灵渠做系统研究的也不多,故对其历史价值定位及文化开发,尚需进一步深入探讨并重新认识。     

Representations of the family in postwar British amateur film: family histories in the Lane and Scrutton collection at the East Anglian Film Archive

This article examines the construction of the postwar British family in amateur film with reference to the Sidney Lane and Cecil Scrutton collection held at the East Anglian Film Archive (EAFA), particularly the films covering 1948 – 1961. Heather Norris Nicholson argues that home movies contribute to ‘an understanding of leisure and visual-related practices of consumption as well as the social processes by which people came to give themselves, and others, identities’ in the mid-twentieth century (Nicholson, H. N. [2004]. At Home and Abroad with Cine Enthusiasts: Regional Amateur Filmmaking and Visualizing the Mediterranean, ca. 1928 – 1962’. Geojournal, 49, 323–333). By considering the social and historical contexts in which these home movies were produced, and using accompanying notes by one of the filmmaker’s sons, the leisure time films of Lane and Scrutton can be analysed in order to understand how the amateur cine hobby ideologically constructed family, community and national identity in postwar Britain. The images of Christmas parties, daytrips and holidays in these films reveal much about this particular family, and are therefore very illuminating to the social historian and film scholar of today.