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Peter Duelund 《Journal of Arts Management, Law & Society》2013,43(1):34-56
ABSTRACTDo cultural producers know each other? Do their relations influence the cultural field? This article analyzes the impact of the social structure on the art festivals' field in Piedmont, Italy. Cultural production is described through the perspective of the relations among the producers. Festivals' organizations observe each other, exchange information and artists, co-produce events, and share performing spaces. These actions generate relations that constitute the field. Analytical tools from social network analysis and QAP regression for network data are applied to describe the field through the relational perspective and assess the impact of the social structure on the cultural system. 相似文献
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ABSTRACTThe article analyses the main features of intergovernmental relations (IGR) on immigrant integration in Italy considering reception policies for asylum seekers and economic or family migrants. We study them in a region with an ordinary statute, Piedmont, and in an autonomous province, South Tyrol.First, we find increasing frequency and institutionalization of IGR. Second, we observe the prevalence of multilateral interaction in ordinary regions, and bilateral interaction in autonomous regions. IGRs related to asylum seekers appear to be more conflictive than those related to economic and family migrants. This is particularly the case in the ordinary region studied here. Hypotheses related to the constitutional structure and the distribution of competency between the central state and regions, have limited explanatory power, whereas party (in)congruence, European integration, and salience of identity claims raised by regionalist parties are stronger. Issue salience emerges as an additional explanation to account for the increasing frequency of IGRs, their institutionalization, and conflictive nature. 相似文献
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