“Walls made out of paper”: Witnessing wit and how I learned to drive

The article proposes an alternative performative methodology for displaying sexuality in public spaces called queer curatorship. Specifically, it examines Isaac Julien's film The Attendant and a Chicago leathersex museum (The Leather Archives &; Museum) wherein histories of sadomasochistic sex practices and slavery dangerously crisscross on the surface of objects. Tyburczy posits that sites that feature materials such as real Antebellum slave whips alongside objects used as instruments of consensual pleasure and pain offer unique opportunities to reconfigure, recode, and reanimate epistemological frameworks for understanding the history of sexual equipment, the perversion and eroticization of power exchange, and the mutually constitutive relationship between histories of eroticism and histories of discipline. Cultivating the visual lessons learned from The Attendant into new curatorial models enacted during her tenure as a museum curator at the Leather Archives &; Museum, Tyburczy ultimately proposes queer curatorship as an experimental museum practice that stages alternative configurations between objects and bodies in space to alter the historical relationship of race, sex, and power as they relate to particular objects and acts, in this instance the use of whips in interracial scenes of sex and violence.     

欠缺行为能力成年人保护的法律重构

本文所述欠缺行为能力成年人的含义与我国民法规定不同,它是指认知和判断能力完全障碍或者有一定的障碍的人,并不以成年精神病人为限。那些除成年精神病人（我国司法解释将其扩展为痴呆病人）外的欠缺意思行为的人,如酗酒成性、吸毒成瘾、不履行任何家庭责任的人,因为其理智判断幼稚,理性程度低下,缺乏控制自己行为能力,社会生活经验很不成熟,对较复杂的行为尚不能预料其应有的后果,不能有效地保护自己和相关家人。因此,法律应给予特别保护。