共谋的异国情调：谭恩美儿童作品的背后

《中国的暹罗猫》是由美国华裔作家谭恩美撰文,著名画家谢兹配图的儿童小说,它向西方读者再现了"古老"的中国形象--既神秘美丽、令人向往.又衰朽落后、缺乏理性.美国公共广播公司将其改编成儿童电视连续剧,使得"古老"的中国形象放大,加强了西方读者心目中被扭曲的中国形象.小说作者、画家和电视制片人凭着想象,共同建构了一个神秘、充满异国情调,但又原始落后的他者,展示了根植于西方人心目中的东方刻本印象,其目的就是要加强和夸大中国的负面形象,从而疏离、排斥、诋毁中国和中国文化.     

Imagining modernity: the language and genealogy of modernity in nineteenth-century Arabic

This article employs the methodology of conceptual history to contest two of the most common theoretical approaches dominating our understanding of modernity in the field of Middle Eastern studies. The first approach relies on the assumption of incompatibility between modernity and Islam and captures Arab modernity using concepts such as ‘adoption’. The second understands Arab modernity through concepts such as ‘imitation’, contending that it is a legacy of Western imperialism. This article challenges both theories by examining the genealogy of tamaddun (civilization, being civilized), a pivotal concept used in nineteenth-century Arabic to imagine modernity. The genealogy of tamaddun elucidates that medieval paradigms derived from the concept of madina (polity) were rediscovered, reimagined, and reused in the context of the rise of the nation-state and the challenge of Western imperialism. The article suggests understanding Arab modernity and its critique from within, rather than outside of, the temporality of the historical condition.     

Orientalism,otherness, and the Soviet empire: travelogues by Latvian writers of the Soviet period

ABSTRACT

The development of travel writing in a national literature is closely related to the geographical and mental cartography that characterizes that territory. This article investigates Latvian travelogues of the Soviet era as encounters with other nations within the Soviet empire in order to analyze the role of Latvian travel writings in shaping a feeling of belonging to the empire. In addition to fostering obedience and a sense of belonging to the Soviet empire during the first 15 oppressive years of the Soviet regime, Latvian travelogues of the later years represented the Soviet empire as a conflictual site of the destruction of traditional values and landscapes.     

A translated volume and its many covers – a multimodal analysis of the influence of ideology

The front cover is often indicative of the overall theme. This sets up an interesting problem about the ideological investment in the cover of controversial books. Ideology is context-specific, and translation studies may offer a unique perspective in viewing how different cover designs may reflect ideologies. So far, a gap remains between multimodality and translation studies, especially from a social-semiotic approach. This paper therefore bridges this gap by applying Kress and van Leeuwen's visual grammar to an English cover of Jung Chang's Wild Swans and the Chinese and French translations. Wild Swans is a politically controversial family chronicle by a Chinese female writer in the UK, and has been critically acclaimed in the West but banned in Mainland China. This study has found how visual and linguistic patterns suggesting the Orientalist ideology have motivated the design of selected Western covers to increase the likeability and to “back-stage” the anti-Mao motif in the book.     

美学想像的政治与政治批判的美学--爱德华·赛义德文化研究模式的贡献及其困境

赛义德发展了一种重要的政治批评,其批判锋芒直指殖民主义的美学式政治,即以美学想像的政治形式把东方想像成纯粹的美学式存在,从而掩盖殖民主义话语侵略与压迫的实质。然而,需要指出的是,他的这种学术策略不过是以一种软弱的美学行为去反抗另一种美学行为,以政治批判的美学方式批判美学式政治方式,与殖民主义者一起共同完成了对美学的政治作用的认同与憧憬,从而使其东方主义理论陷入悖论式窘境。     

Theories of State Formation and Civilisation in Johann P. Arnason and Shmuel Eisenstadt's Comparative Sociologies of Japan

Abstract

Johann Arnason and Shmuel Eisenstadt's social theories have remarkably different origins. Yet each has moved onto common ground with the other over a period of time. They meet in historical sociology in dialogue over theories of state formation and images of civilisation. Each is engaged in a project of revising civilisations sociology that reaches an apex with the comparative study of Japan. Their groundbreaking contributions can be read critically against a wider background of debates about postcolonialism, the reputation of the notion of civilisation and the state of area studies in the humanities and social sciences.     

Governing peacekeeping: the role of authority and expertise in the case of sexual violence and trauma

Abstract

The surprising authority of gender expertise on sexual violence within post-Cold War peacekeeping can be understood by tracing how sexual violence became linked with political torture and combat violence in peacekeeping security rationality. The linkage emerged from the development of Post-Traumatic Stress Disorder (PTSD) theory within anti-Vietnam war activism, which gained international authority during the 1980s. Post-Cold War narratives of ‘multi-dimensional’ peacekeeping as the policing and rehabilitation of perpetrators and victims for self-government drew on PTSD expertise on ‘integrity violations’, thus problematizing sexual violence. However, gender expertise should not be dismissed as providing ideological cover for imperialist projects: the contingent authority gender expertise has claimed has disrupted the peacekeeping narrative by representing peacekeeping operations as fostering flourishing sex industries in which integrity violations are a norm.     

The Ambiguity of Things: Souvenirs from Afghanistan

ABSTRACT

Souvenirs can help illustrate the world-view towards a country under intervention. Following the work of Lisa Smirl, this article analyses a particular set of souvenirs from Afghanistan in order to establish how the intervention there is shaping the imaginary of conflict professionals working in Kabul in the final years of the International Security Assistance Forces (ISAF). Souvenirs are analysed as consistent with established tropes, in the case of Afghanistan dating back to colonial encounters beginning in the early nineteenth century; much of the ‘Othering' knowledge produced is actualized in souvenirs. In a focused analysis of a Scorpion glass, representing a particular type of souvenir, the articles concludes by showing how what souvenirs transmit is ambiguous and depends on different interpretations and meanings attached to them by different audiences. For conflict professionals who buy these items, they are a way to bridge the gap of their home experience and their life in intervention context. Souvenirs can help mitigate the ‘liminal’ existence that many security professionals, aid workers or embassy staff experience during missions in intervened countries. At the same time, they reify the tropes and narratives about the intervened countries and peoples and thus shape the way interventions are understood, conducted and practised.     

Otherising Iran in American political discourse: case study of a post-JCPOA senate hearing on Iran sanctions

Using van Dijk’s critical discourse analysis, this paper attempts to analyse the ways in which the Islamic Republic of Iran is constructed as a security threat in US congressional hearings. The article is based on the case of the two-day congressional hearing on post-JCPOA (Joint Comprehensive Plan of Action) held by the US Senate Committee on Banking, Housing, and Urban Affairs, on 24–25 May 2016. The session was presumably held to examine ‘sanctions relief’ provided to Iran; however, the study reveals that through the use of discursive tools such as lexical style and argumentation, Iran is framed and evaluated as a security threat to (1) the US; (2) US allies, specifically Israel; and (3) the international community. This construction reflects the established political and ideological stereotypes and also orientalist clichés which have led to Otherisation and vilification of Iran. Therefore, by representing Iran as an ‘irrational’, ‘radical’ and ‘barbaric’ entity, the US discrimination against Iran through sanctions and other unilateral political decisions is legitimised and justified.     

“Socialist in content,national in form:” the making of Soviet national art and the case of Buryatia

This article examines the fine art of the Soviet national republics and its discourse in the Soviet Union, which were considerably shaped under the influence of socialist realism and Soviet nationality policy. While examining the central categories of Soviet artistic discourse such as the “national form,” “national distinctness,” and “tradition,” as well as cultural and scientific institutions responsible for the image of art of non-Russian nationalities, the author reveals the existence of a number of colonial features and discursive and institutional practices that foster a cultural divide between Russian and non-Russian culture and contribute to the marginalization of art. Special attention is paid to the implications of this discursive shaping for the local artistic scene in Buryatia.