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排序方式: 共有194条查询结果,搜索用时 15 毫秒
1.
当前阻碍人民警察执行职务的现状、成因及对策——对辽宁省沈阳、鞍山和辽阳市阻碍警察执法情况的调研报告 总被引:1,自引:0,他引:1
本调研报告是在对辽宁省沈阳市公安局和平分局、鞍山市公安局铁东分局及辽阳市公安局白塔分局实地考察的基础上形成的。文章反映了三地阻碍警察执行职务行为的现状和特点,分析了阻碍警察执行职务行为的发生原因和警察权利屡受侵害的原因,并提出解决这一问题的建议。 相似文献
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通过调查研究发现 ,正踹腿、侧踹腿和鞭腿是散手运动中最实用的腿法。分析各种腿法的运用时机 ,掌握好时间、距离和空间差 ,是正确运用腿法的先决条件。公安院校的散手教学强调多种技击方法的结合 ,以提高散手运动的实战能力。 相似文献
3.
Arthur C. Brooks 《Journal of Comparative Policy Analysis》2003,5(1):29-38
While several studies have probed the determinants of public support for government funding of arts and culture in the United States, little work to date has addressed the question in Europe. Yet as private cultural funding increases in magnitude in most Western European countries, the answer to this question has policy implications. This article formalizes the theory of the determinants of this public support in a model, employs public opinion data from Spain to estimate this model, and compares the results with those from the U.S. I find that support in Spain increases strongly with age, but is insignificant in most other variables. The article's empirical results yield several lessons for cultural policy design. 相似文献
4.
文艺研究可以从文艺学之外寻求研究的方法和思路。这是由于:第一,文艺研究视角的多方面性,它们分属不同学科;第二,文艺研究视角导引出具体观点,这些观点是所由依托的学科预设的;第三,从文艺研究的变化来看,它更多地是受哲学和社会思潮的影响;第四,从文艺研究的内容来看,一些根本性的问题并不是文艺自身的问题,但文艺研究又不能够回避这些问题。对文艺研究的这一认识,有助于更好地把握该学科的特点。 相似文献
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The Creative Industries Concept: Stakeholder Reflections on Its Relevance and Potential in Australia
Ryan Daniel 《Journal of Australian Studies》2017,41(2):252-266
The creative industries concept or term continues to attract attention in both developed and developing economies worldwide. However, it is not universally applied, with other terms such as cultural industries, arts and culture, copyright industries, or the experience economy used in various global locations. There is also ongoing debate and critique in relation to the creative industries concept, given that it emphasises employment and wealth creation and gathers together a range of disparate disciplines. This article explores these issues via interviews with twenty-two key leaders representing fifteen different industry organisations, advocacy groups, and government funding bodies in the Australian creative industries sector. The findings reveal only a moderate level of understanding and application of the creative industries concept, with a range of views on its relevance and utility for those working in the sector. In addition, the findings propose that there is significant potential and need for the sector to work towards a stronger advocacy position and profile within the broader economy. However, this represents a major challenge for the creative industries sector, given the existing vertical and horizontal power structures within this complex and diverse area of the economy. 相似文献
7.
燕妮 《贵州警官职业学院学报》2006,18(4):63-65
合同解除是合同法终止制度中的一个重要问题,其中的法定解除制度为重点规制对象。我国合同法对此作了较详细的规范,包含了法定解除权的行使条件和合同解除的法律效力等几个方面的内容。 相似文献
8.
Andrew J. Brown 《Women & Performance》2017,27(1):67-80
This article applies Saidiya Hartman’s framework of performing blackness to South African performance artist Athi-Patra Ruga’s performance series, The Future White Women of Azania, to consider the ways in which the performances index the convoluted imbrications of colonialism, specifically Apartheid policy in South Africa, and postcolonialism, specifically the anti-Apartheid struggle(s) and the current political and economic structure of South African democracy. It argues that Ruga’s performance makes evident political and economic systems that tout black and queer liberation while perpetuating black queer death. Ruga’s work also relocates Hartman’s framework to a transnational, postcolonial context, expanding the notion of performing blackness (and the entangled processes of domination and subordination that it maps) beyond the trans-Atlantic paradigm, suggesting that performing blackness could be used to understand the correlation between broader spatial and temporal phenomena that shape blackness. Finally, situating The Future White Women of Azania as not only a performance of blackness, but of queerness as well, postulates that layering sexuality onto Hartman’s model reveals that the dynamics articulated under performing blackness are evident between oppressors and oppressed and between members of each of these groups as Hartman notes, but also between the contingent axes of subjectivity within an individual’s experience. 相似文献
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论监狱人民警察执法的语言艺术 总被引:1,自引:0,他引:1
文章在分析了提高监狱人民警察执法语言文明的重要性和必要性、指出了当前我国监狱人民警察执法语言中存在的问题、阐述了提高监狱人民警察执法语言艺术的途径、强调了在提高监狱人民警察≮方面素质的同时,重点阐释了在监管改造服刑人员实际工作中,监狱人民警察应根据不同的执法对象、灵活地运用语言艺术、采用规范文明的执法语言。 相似文献