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1.
中国舞蹈舞台演出的现代发展与突破需有三个条件 :社会环境、原创性作品和市场经营。当前 ,三个条件中仅具备社会大环境 ,而就更重要的两个条件来说 ,原创还缺乏现代作品的个性思维色彩与深度 ;市场运作缺少小而灵活的演出组合 ,以及稍小的演出场所。因而中国“舞”台的真正繁荣 ,还有待编导和舞者们、管理者和艺术经纪人的奋力突破。 相似文献
2.
梁丽萍 《长沙民政职业技术学院学报》2003,10(1):57-58
作者在文中以体育舞蹈班的学生为研究对象,重点研究了大学生学习体育舞蹈的动机、思想状态及对师资和教学方面的要求。 相似文献
3.
HU Xiaodong 《浙江省政法管理干部学院学报》2016,(1):45-49
‘Region’is the origin of Folk Art’s protection, local entities’ direct involvement and voluntarily protect is needed in the practice of Folk Art’s research and administration. This is the key factor of Folk Art’s inheritance, protection and exploitation. This article takes ‘Temmoku Kiln’ in Linan, Zhejiang as an example, through exploring its firing and using trajectory, propagation and communication, culture and religious connotation to study the countermeasures of ‘Temmoku Kiln’s protection and exploitation, and find the reference path for Folk Art’s development and traditional industry’s exploitation in other regions of Zhejiang Province. 相似文献
4.
Karl Popper’s equation of the closed society with tribalism is reviewed and modified. The German origins of the anthropological
concept of culture and its related ideas of the folk culture and cultural relativism are explored. The vicissitudes of the
idea of The Folk and its swing from Right to Left are related to contemporary neo-primitivism. The open society and high culture
are defended.
相似文献
Robin FoxEmail: |
5.
《Women & Performance》2012,22(1):89-107
Ruth St. Denis (1879–1968) had one of the first and longest careers as a professional modern dancer. At age 62, she embarked on a “comeback” that lasted nearly three decades, appearing on stage and screen in the dances that had made her an international star earlier in her career. This essay examines the relationship between her well-known “Orientalism,” her feminism, her spirituality, and her perspective on aging and ageism. In particular, it brings into relief her innovative efforts to redefine dance as a feminist project at the intersection of aging and modern dance history. St. Denis converted “oriental tradition” into a feminist dance praxis, thus, staking a claim for the aging dancer under the banner of feminist politics. 相似文献
6.
Line Henriksen 《Women & Performance》2013,23(3):414-423
Consider this a vade mecum: an invitation to “walk with me” through more or less uncanny terrains of worlds in the making in search, of(f) course, of monsters. The search will be delving into the areas of “creepypasta:” pieces of cursed prose and pictures that circulate online, waiting to contaminate and possess the next reader. Using a theoretical framework of posthuman and feminist theory, not least the work done by Jacques Derrida and Donna Haraway, this vade mecum asks what it might mean to engage ethically with that which is not supposed to exist, but which haunts us nonetheless. In other words: what does it mean to move, live and engage with spectres in digital times? 相似文献
7.
JIAO FENG 《今日中国(英文版)》2014,(4):68-70
正Shi Shunmin,born in 1949 in Jishou,capital of Xiangxi Tujia and Miao Autonomous Prefecture,is a leading exponent of the Miao drum dance.She has perfected the art of this special dance,based on interpretations of natural movements in daily life and work combined with traditional choreography,resulting 相似文献
8.
诸葛忆兵 《江苏行政学院学报》2004,(3):118-123
欧阳修个性张扬,在歌词创作中表现出鲜明的创新精神.在描写男女情爱时,自然舒畅、大胆开放,率意表现自己的性情怀抱,为苏轼词"诗化"革新导夫先路.在艺术上也我行我素,既喜欢含蓄蕴藉、雍容典雅的文人化歌词,同时也对清新朴实、活泼生动的民间词情有独钟. 相似文献
9.
民间歌谣与民俗往往同时存在,相互渗透,成为一种社会文化现象。贵州西江苗族民间歌谣亦涵盖了丰富的民俗事象,在此对苗族民间歌谣内蕴的民俗事象作一析理,以期为人们更好地了解和研究苗族文化提供可参鉴资料。 相似文献
10.
非法吸收公众存款罪由于在立法上对犯罪的客观方面规定不明确,没有统一的认定标准,在司法实践中出现很多认识上的分歧,导致部分案件的判决出现很大的争议。非法吸收公众存款罪名的扩大化导致金融机构垄断的强化。非法吸收公众存款罪的认定应该从非法从事资本、货币经营的角度界定。 相似文献