What do forensic analysts consider relevant to their decision making?

In response to research demonstrating that irrelevant contextual information can bias forensic science analyses, authorities have increasingly urged laboratories to limit analysts' access to irrelevant and potentially biasing information (Dror and Cole (2010) [3]; National Academy of Sciences (2009) [18]; President's Council of Advisors on Science and Technology (2016) [22]; UK Forensic Science Regulator (2015) [26]). However, a great challenge in implementing this reform is determining which information is task-relevant and which is task-irrelevant. In the current study, we surveyed 183 forensic analysts to examine what they consider relevant versus irrelevant in their forensic analyses. Results revealed that analysts generally do not regard information regarding the suspect or victim as essential to their analytic tasks. However, there was significant variability among analysts within and between disciplines. Findings suggest that forensic science disciplines need to agree on what they regard as task-relevant before context management procedures can be properly implemented. The lack of consensus about what is relevant information not only leaves room for biasing information, but also reveals foundational gaps in what analysts consider crucial in forensic decision making.     

简析《雅各布的房间》的人物塑造(英文)

Jacob’s Room is a forerunner of Virginia Woolf’s stream-of-consciousness novels.The characterization of the novel is different from the traditional clear-cut presentation.By analyzing some incidents in the novel,this paper is to illustrate Woolf’s understanding of the impediments in truthful and realistic characterization.     

Virginia Stephen at the Dr Williams’s Library

This article considers the implications of Virginia Stephen’s membership of the foremost library of Protestant nonconformity in London—the Dr Williams’s Library. Drawing on research in the library’s archives, the author focuses on the original record of Stephen’s membership in the 1905 ‘Index of Readers’. While paying close attention to the semantic specificities of the record itself, this article also positions Stephen’s individual record in the wider context of the community of readers this index documents. The article explores the degree to which Stephen’s encounter with the predominantly female and scholarly, but also distinctly lower-middle-class and professional readership of the Dr Williams’s Library may have influenced the concerns of her 1909 short story ‘Memoirs of a Novelist’ and her first novel, The Voyage Out.     

意识流小说与伍尔夫的《达罗威夫人》

意识流小说是20世纪初叶在西方兴起的一种采用与传统的写法不同的创作方法写成的小说.意识流小说既没有统一的规格,也没有公认的定义.英国女作家弗吉尼亚·伍尔夫在其代表作<达罗威夫人>中尝试了意识流的各种技巧,她熟练灵活地运用视角转换和间接内心独白手法,描绘了一个平庸无知的小妇人一天中十几个小时的生活,向我们展示了一个时代的精神风貌,表现了人类真正的生存状态.     

Apostolic Minds and the Spinning House: Jane Ellen Harrison and Virginia Woolf's Discourse of Alterity

Jane Ellen Harrison (1850–1928) and Virginia Woolf (1882–1941) are two of the most iconic figures in British feminist history whose enduring influence have helped create and sustain a multitude of feminist discourses. Interestingly, both produced their landmark feminist studies in Cambridge when it was, arguably, the most aggressively anti-feminist institution in Britain at that time. Evidence of the kind of institutionalized disciplinary control Cambridge historically exercised on women can be found in the three Committals books (1823–1894) of the Spinning House (1631–1894) in the University archives. So called because the inmates were given wool to spin, the Spinning House was a penitentiary for young girls who were judged to be compromising the morals of the undergraduates. The Spinning House had its basis in the legal authority of the University which declared ‘That the University by virtue of their Charter sanctioned by Act of Parliament, have an undoubted right to cause the Public Street to be inspected, and loose and disorderly women to be taken up and sent to the Spinning House or the house of correction’. Against the background of the culture encapsulated by the Spinning House, women academics, in the late nineteenth and early twentieth century, were making tremendous efforts to bring about intellectual equality. And though the two—the spinner and the woman student—occupied mutually exclusive spaces, they were nevertheless held on the margins of the power structure that produced both. This paper examines the socio-historical context and the puritan intellectual politics of Cambridge against which feminist theories of Harrison and Woolf were produced to identify some of the methods with which they negotiated masculine orthodoxy and structured their feminist discourse of alterity.     

迷雾中的灯塔

弗吉尼亚·伍尔夫不仅是欧美意识流小说的代表作家,也是著名的女性主义理论家,其理论主张毫无疑问会在她的作品中有所体现.<到灯塔去>中的女画家莉丽·布里斯科便是伍尔夫女性思想的代言人,我们从她艰难的心路历程中可参透伍尔夫的理想追求和坚定信念.     

Barack Obama and the South: demography as electoral opportunity

ABSTRACT

Barack Obama was more successful in the South in the 2008 election than many previous Democratic presidential nominees had been. While John McCain continued Republican dominance in the conservative region, it was a major breakthrough for a northern liberal Democrat, especially an African American from Illinois, to win three southern states and secure 55 electoral votes. Florida, North Carolina and Virginia were good opportunities for Obama because, demographically, they had come to resemble other large states outside the South. In these ‘converging’ southern states, the Latino and Asian communities had grown substantially. The percentage of college-educated Whites had increased and there had been large-scale migration from other regions of the country. The states that Obama won in the South were not as ‘southern’ as they once were. In some southern states, those called the ‘neo-Confederate South’ in this article, white support for Obama was less than John Kerry had received in 2004. This decline in white voting for the Democratic presidential nominee occurred despite the difficult economic times that enveloped the country in the months preceding the election, and the general unpopularity of the incumbent Republican administration headed by George W. Bush. Some of these states, like Alabama, Arkansas, Louisiana and Mississippi, had been among the most intransigent states in resisting the claims of the civil rights movement for social and political equality for African Americans in the 1950s and 1960s. In the future it may be more accurate to speak of more than one South, rather than refer to the region as an undifferentiated whole.     

Elizabeth and Her Mountain Garden

Abstract

In this essay the author suggests that Elizabeth von Arnim’s anonymous novel In the Mountains (1920) can be regarded as a modernist work, and is best understood in this context. The author indicates why von Arnim was intellectually and spiritually ready to develop her writing along these lines in the post-First World War era. This novel, like von Arnim’s early works—Elizabeth and Her German Garden (1898) and The Solitary Summer (1899 Arnim, Elizabeth von (1899), The Solitary Summer, London: Macmillan. [Google Scholar])—is written in the form of a journal; the title, also like those of her early works, points to a symbolic setting derived from nature. However, the narrator of In the Mountains no longer appears as ‘Elizabeth’, but remains mysteriously and completely anonymous. This device, together with von Arnim’s stylistically innovative use of structures and motifs derived from nature and music, as well as her manipulation of time, perception and memory, demonstrates her unique approach to modern writing in this novel, inviting comparison with contemporary works by Virginia Woolf and Katherine Mansfield.     

Room of One's Own: 1920s Feminist Utopias

Virginia Woolf's aspiration in A Room of One's Own (1929) for a private space and independence for the 'uneducated' women who would write fiction was echoed in Jipping Street (1928), the fictional autobiography of the working-class Kathleen Woodward, as well as by numerous other women during the period. This article asks why this wish for a room emerged in the twenties, and what is shows about the political affect of feminism at that time. One of the effects of post-suffrage feminism was that working-class women's experience began to be not only observed but listened to, written down and published, but real changes in the legal and economic position of women only came slowly. Both Woolf's polemic and Woodward's fictional autobiography are diatribes against poverty and laments for women's wasted lives. Neither idealized suffering; poverty in their texts was an injustice that aroused anger, not a state of abjection or redemption which required an anguished identification. When these two books were published, just after women's suffrage was achieved, hopes were high. The thirties were a more brutal decade, with unemployment and the growth of fascism, and Woolf's Three Guineas (1938) is darker in tone. Neither Woolf nor Woodward had faith in conventional politics. Instead both writers chose silence, solitude and the aesthetic seduction of words and thoughts. Neither wanted to enter the world of men, but nor did they want to live lives like their mothers. Both these books require of women an inner change. The room represents a transitional space. There was no clear vision of the future yet. As so often with feminist thought, the wish is for a break with the past, a resistance to culture and a change in human nature.     

二元对立的原型模式在《达洛卫夫人》中的运用

在《达洛卫夫人》中,弗吉尼亚.伍尔夫赋予了并行的达洛卫夫人和赛普蒂默斯女与男,生与死,理性与疯狂等诸多二元对立元素。这些对立元素在二人身上最终获得了分别的统一。