我们的法律与宗教危机——读伯尔曼《法律与宗教》有感简

梁治平先生的《死亡与再生：新世纪的曙光》一文对伯尔曼先生的《法律与宗教》一书的意义不仅仅是一篇代译序,它更是一篇《法律与宗教》中国化了的预言性文章.文章不乏真知灼见,虽属说理性文章,但作者以其敏锐的洞察力和深邃的见解力不仅为我们概述了《法律与宗教》一书的思想精髓,而且为我们开启了重新认识中国传统法律与中国宗教的大门.文章中富有深刻思想性的“我们的危机”的观念,不仅对《法律与宗教》一书中所提的西方的“整体性危机”一词有了中国化的透视,而且也形成了对生活于现代法制下国人的警醒.     

Walk and Die: An Unusual Presentation of Head Injury

Abstract:  We report three deaths in young adult males following closed blunt trauma to the head and face where the affected individuals were able to walk away from the incident, before subsequently collapsing and dying a short distance from the site of the assault. In each case, due to the rapidity of the posttrauma collapse, the pathologist was faced with a diagnostic difficulty at autopsy; the external examination revealed multiple injuries to the head and face, but internal examinations showed limited findings with no structural explanation for the death. We discuss possible mechanisms that could account for this scenario, the implications of alcohol consumption with a concussive head injury, and parallels that can be drawn with the so-called "talk and die,""talk and deteriorate," and "second impact syndrome." Finally, the possible role of so-called "postexercise peril" is discussed in relation to these deaths.     

生命伦理学与21世纪的法律——西方生命伦理立法概览

生命伦理学与法学交叉领域研究近几十年来受到西方国家的重视，甚至被当作21世纪法律的核心。各国围绕生命的不同阶段和状态展开的一系列立法举措与法学研究使公民在生死、器官移植、基因信息与检测等方面的权利得到了保障。介绍与分析具有代表性的生命伦理立法例，说明涉及生命伦理的法律问题应当作为一个体系加强研究，借此为我国的生命伦理立法与法学研究提供有益的借鉴与启示。     

安乐死的宪法学思考

安乐死是困扰人类的一个道德和法律难题,是一个多学科研究的问题。从宪法学的角度来看,安乐死主要涉及到:病人的生命权与人性尊严的竞合、病人是否具有死亡权或者能否放弃自己所享有的基本权利、病人的个人自决权与国家对基本权利的保护义务及其冲突三个问题。如果解决宪法学上的这三个问题,将为其他学科具体构建安乐死制度提供理论上的论证资源。     

Berufung wegen des Ausspruchs über die Schuld und Wahrheitsbeweis

Die Strafgesetze kennen besondere F?lle des Entlastungsbeweises, etwa den Wahrheitsbeweis bei der üblen Nachrede (§ 111 StGB). Fraglich ist, ob es zul?ssig ist, sich auf einen solchen Entlastungsbeweis erstmals in einer Berufung wegen des Ausspruchs über die Schuld oder erstmals in einem Antrag auf Wiederaufnahme des Strafverfahrens zu berufen. Die folgende Arbeit will diese Frage kl?ren.     

Postensuchtage beim befristeten Arbeitsverhältnis

Die umstrittene Frage, ob die § 1160 ABGB, § 22 AngG ua idF AR?G 2000 weiterhin auf befristete Arbeitsverh?ltnisse analog anzuwenden sind, bleibt offen. Die gebotene objektive Auslegung des KollV für die eisen- und metallerzeugende und -verarbeitende Industrie ergibt, dass in dessen Anwendungsbereich Postensuchtage auch bei Ablauf eines befristeten Arbeitsverh?ltnisses zustehen. Dabei ist die erforderliche Freizeit innerhalb jener Frist vor Ende des Arbeitsverh?ltnisses zu gew?hren, die der (fiktiven) Kündigungsfrist für den Fall entspricht, dass ein auf unbestimmte Zeit abgeschlossenes Arbeitsverh?ltnis durch Kündigung beendet worden w?re.     

物权行为理论的若干思考

对物权行为理论进行宏观性、整体性式的方法论思考有助于深刻理解物权行为理论。物权行为无因性理论与善意取得制度没有绝对的优劣之分,在对第三人的保护上,应采取无因性原则,同时吸收善意取得制度的优点即排除对恶意第三人的保护。另外,物权行为理论应建立在平民生活基础上。     

Sonia Delaunay: Fashioning the Modern Woman

Focusing on questions of gender and modernity, Gronberg examines representations of Simultaneous fashions designed by the Paris-based artist Sonia Delaunay in the German illustrated press of the 1920s. Simultaneous dress was presented as a means of rendering woman 'modern' both through fashion and through association with Parisian artistic avant-gardism. Gronberg explores the figure of the fashionably dressed Parisian femme moderne in relation to 1920s concepts of the neue Frau. The identity of Sonia Delaunay as an artist turned professional designer marked her out as a 'modern woman' and was crucial in the promotion of Simultaneity to international audiences. Delaunay's persona as a 'modern woman' also related to her status as a wife. The German press depicted Sonia Delaunay and her husband, the painter Robert Delaunay, as a Knstlerehepaar, an artist-couple exemplifying contemporary notions of 'companionate marriage'. Gronberg shows how such concepts of the modern woman were important not only in marketing Sonia Delaunay's fashions but also in claims for Robert Delaunay's post-war painting as a renewed form of avant-gardism. The essay concludes by considering Paris as a milieu in which women interacted with each other professionally-as writers, artists and photographers-engaging with and reformulating the visual imagery of modernity. The production, promotion and consumption of Simultaneous fashion during the 1920s reveals the 'modern woman' as both subject and object of representation. A preoccupation with fashion could be as much to do with challenging and overcoming, as with acquiescing to, stereotypes of femininity.