Vote Blue,Go Green? Cameron's Conservatives and the Environment

How genuine is the Conservative party's rediscovery of the environment? Would a Conservative government led by David Cameron implement a wide‐ranging and progressive environmental policy? This article explores why Cameron has embraced the environment so enthusiastically when Conservative governments have had a poor record of environmental protection and the Conservative party has traditionally shown little interest in the issue. It assesses the impact of Cameron's strategy both on his own party and on the wider world of environmental politics and it evaluates the continuing commitment of the Conservatives to the issue by assessing what kind of policies a future Conservative government might implement. Although Cameron remains committed to the issue and he has already had a positive impact on Labour government policy, he has not yet convinced his party or its supporters, so a future Conservative government would probably represent continuity rather than significant change in environmental policy.     

Transcending Thatcherism? Ideology and the Conservative Party Leadership Mandate of David Cameron

This paper examines the voting motivations of Conservative parliamentarians in the final parliamentary ballot of the Conservative Party leadership election of 2005. By constructing a data set of the voting behaviour of Conservative parliamentarians in the final parliamentary party ballot, and by determining the ideological disposition of the 2005 PCP this paper examines the ideological disposition of the candidates' vis-à-vis their electorate. The paper identifies the increasing Thatcherite nature of the PCP across three dominant ideological divides of contemporary British Conservatism-economic, European, and social, sexual and moral policy. Through such an analysis the paper demonstrates how the modernising David Cameron, who came first in the final parliamentary ballot and then won the membership ballot, transcended the traditional ideological voting motivations of candidates' vis-à-vis their electorate. Most significantly, the paper demonstrates that the European ideological policy divide was not a factor in the succession contest, unlike the succession contests of 1990, 1997 and 2001.     

Feminist utopias and questions of liberty: Margaret Atwood's The Handmaid's Tale as critique of second wave feminism

Taking her cue from the recent Cindy Sherman exhibition at Metro Pictures, New York, 'New Photographic Work 2000', Meagher considers the ways in which feminist art critics have analysed Sherman's work since it was first 'discovered' by Douglas Crimp in 1979. Her claim is that analyses of Sherman's work are involved in a debate about whether the images are useful or destructive to feminist politics. More importantly, what has come to be known as Sherman Studies places an emphasis not upon Sherman's art, but rather upon the identify of the artist. Instead of enquiring into the political status of the art works (are they feminist?), critics often end up asking after the political status of the artist herself (is she feminist?). Meagher's essay is in four sections: 'Encounters' traces the critical reaction to Sherman's work; 'In or Out of the Picture' considers the critical tendency to impose a narrative upon the work and the simultaneous insistence that this narrative is informed by the artist's feminist intent; 'New Photographic Work 2000' looks at the most recent reactions to Sherman'swork and prepares for the final section, 'Feminist Occasions', in which Meagher draws upon Nancy Miller and considers the relationship between feminist critics and their resistant celebrity.     

Reluctant Coalitionists: The Conservative Party and the Establishment of the Coalition Government in May 2010

The Conservative party has been the real awkward partner in the Conservative‐Liberal Democrat coalition government because its backbench MPs have rebelled more frequently than their Liberal Democrat counterparts since May 2010. This reflected the fact that the Conservatives were reluctant coalitionists to begin with: they would have preferred to see a minority Conservative government, they had made far too many concessions to the Liberal Democrats, they had been bounced into accepting a coalition deal by a controlling party leadership, and they had lost out on those ministerial positions now held by Liberal Democrats. There was thus no great enthusiasm for the establishment of a coalition government with the Liberal Democrats in the parliamentary Conservative party in May 2010. Conservatives merely resigned themselves to an outcome which they had been given little opportunity to influence and which David Cameron had made it very difficult for them to reject.     

New Panthers,old Panthers and the politics of black nationalism in the United States

ABSTRACT

The New Black Panther Party for Self-Defense has been a cause du scandale since it was formed in the early 1990s. Indeed, the Anti-Defamation League has described it as ‘the largest organized anti-Semitic and racist black militant group in America’. It is somewhat surprising, then, that there has been very little detailed analysis of the party and its activities. Mulloy begins to fill this gap by outlining the origins and development of the party, and by closely examining the ongoing dispute between the New Black Panthers and surviving members of the original Black Panther Party—established by Huey Newton and Bobby Seale in Oakland, California in 1966—over the right to claim the name, the history and the legacy of the Panthers in the United States. Critically assessing the strategies and actions of the New Black Panthers, Mulloy argues that its high-profile, media-centred approach to political activism has largely been a failure with regard to its overall aim of reviving the Black Power movement in the United States.     

Debating the ‘Stalemate’: A Response to Dr Dixon

This article responds to the critique of our work offered by Paul Dixon in this issue of Political Quarterly. We correct the numerous inaccuracies and straightforward errors in his work, which, in our view, distort and misrepresent our arguments.     

大卫·哈维“时空修复”理论的建构与考量

大卫·哈维作为新马克思主义城市理论的代表人物一直以敏锐的观察力和独特的视角而著称,他提出的"时空修复"理论以历史唯物主义空间理论为切入点,通过案例分析与政治经济学的解读阐释了空间视域的重要价值,分析了时间推移与空间扩张、地理重组是当代资本主义处理过度积累和经济危机的重要方式。"时空修复"理论的建构与发展有着深刻的时代背景和重要的学术研究价值,对其进行深入研究对我们分析全球化时代的世界局势和中国发展道路提供了重要的借鉴。但"时空修复"理论也有一定的局限性,需要辨识与思考。     

Countervisions of Modernity: David Roberts,The Total Work of Art in European Modernism

David Roberts's The Total Work of Art in European Modernism extends and deepens the analysis of the counter-paradigm of redemptively inspired art to modernism's own pre-occupation with secularization. It addresses the imbalance in social and critical theory whereby progressive secular rationalization has been elevated to the sole logic of modernity, and the romantic redemptive tradition has been reduced to a marginal counter-enlightenment. The total work of art paradigm allows Roberts to demonstrate how the programme of modernity has been constituted by internal tensions and antinomies from the very beginning.     

‘May Contain Nuts’? The Reality behind the Rhetoric Surrounding the British Conservatives' New Group in the European Parliament

The British Conservative Party's decision to leave the European Peoples' Party-European Democrats (EPP-ED) group in the European Parliament and establish a new formation—the European Conservatives and Reformists (ECR)—has attracted criticism, much of it focused on the supposedly extremist politics and character of the partners with which the Conservatives have chosen to work. In fact, while those parties which have joined the Conservatives in the new group are for the most part socially conservative, they are less extreme and more pragmatic than their media caricatures suggest. Moreover, such caricatures obscure some interesting incompatibilities within the new group as a whole and between some of its Central and East European members and the Conservatives, not least with regard to their foreign policy preoccupations and their by no means wholly hostile attitude to the European integration project.     

Camera,Colony, Künstlerroman: Photography in Three Australian Novels

This article traces the practices of photography that have been portrayed in three Australian artists’ novels: Patrick White’s The Vivisector, David Malouf’s Harland’s Half Acre, and Gail Jones’s Sixty Lights. Photography’s shifting status in relation to art, modes of knowledge, modes of production, and methods of relating to space suggest a growing discomfort in the nation’s literary imagination towards colonial art’s mobilisation of the imagination to authorise “sacred” settler belonging.