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In Camera Lucida, Barthes makes a distinction between a semiological approach and a phenomenological approach to the sign. While semiotic theory has usually focused on signs that work through mediation and representation, in this article we investigate the possibility of a sign that is immediate, experienced as a presence. This is not a sign of, or even the impossibility of a sign of; rather, it is a sign that just is, without an elsewhere to refer or defer to. This form of sign means nothing and is gratuitous, yet it has significance ? or, more accurately, it is significance. We investigate these ideas through Buber's account of the religious sign. 相似文献
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