南岛语民族与中国古代越人和濮人的关系

许多学者在探讨南岛语民族的起源时,都认为这个民族群体与中国古代的越人有关系,还有人认为与越人和濮人都有关系。我的看法是,今天的南岛语民族的先民并不是直接源自中国古籍中提到的越人和濮人,只是与越人和濮人有着共同的祖先。在南岛语民族或广义的马来人这个群体中,体质特征较为古老的“原始马来人”形成较早,他们与濮人的祖先有密切的关系;而有着较高文化的、体质特征与壮侗语言诸民族相似的“续至马来人”则与古代越人的祖先有着密切的关系。但是,不能说今天的南岛语民族直接源自中国古籍中提到的越人和濮人。     

The first woman in the process of book production in Livonia: the case of Ursula Krüger and Daniel Hermann

I present the first case from the history of early modern Livonia, when a woman participated in the editing and publication of a printed book. Ursula Krüger, wife of Prussian–Livonian humanist Daniel Hermann, illustrates the wider perspective of non-aristocratic women’s activities involving book production in the geographical periphery of humanist culture, Riga, rather than in the heart of European humanism. Her story also illustrates the ability of women to collaborate as an editor, both as a learned woman who could compose Latin dedications and a businesswoman who could financially and organizationally engage in publishing books.     

Modern poetry,popular song and their dangerous liaisons

Abstract

In this article, Tsuboi Hideto examines the mutually entwined pursuits of modern poetry and music in interwar Japan, focusing especially on the work of Nakahara Chūya, Kitahara Hakushū, and the People's Poetry group. Cutting across their respective distinctions within the poetry establishment, Tsuboi draws attention to these figures’ shared investment in symphonic, folk and popular music. In so doing, he identifies among them a prevailing concern for curating a poetic voice that might harmonize the conflictual registers of individual and collective expression and thereby attune the work of the poet to that of the ‘people’ more broadly. Meanwhile, the essay traces the currents of modernist and avant-garde thought in Japan and Europe that framed these poets’ engagements with music and sound. Tsuboi then illustrates the varying degrees to which these voices, forged within the cosmopolitan milieu of the Taisho period, bent toward the nationalizing project and later gave way to the chorus of wartime fascism and imperial expansion.     

Poetic boundary conditions: Australian poets in the ivory tower

This article explores the experience of women poets in academe and posits that by institutionalising themselves in universities, women poets gain financial stability by working in the wider field of poetry. However, they also face discrimination and a lack of opportunity in these workplaces. The article uses two case studies of poets Maria Takolander and Jill Jones, who work at Deakin University and the University of Adelaide, Australia, respectively. These case studies show the way in which these poets explore the experience of academe in their poetry.     

乡村旅游发展模式的比较研究——以贵州屯堡地区为例

随着城市化进程的加速,旅游产业的日益发展,以回归自然、亲近自然的旅游活动日益受到人们的青睐,乡村旅游正是应运而生的一种潜力巨大的旅游活动形式。但如何利用现有的乡村资源,乡村旅游应如何发展等,都是值得进一步探讨的问题。本文在对贵州屯堡地区旅游资源分析的基础之上,探讨了其乡村旅游发展的不同模式的优缺点,以利于今后乡村旅游的发展。     

柏拉图对话录中的诗与哲学之争

柏拉图在其对话录,尤其是在《伊翁》和《国家篇》中提供了两个看似截然相反的对诗歌的评价。而对柏拉图在相关文本中对于"神"这一概念的使用的考察,不仅消解了文本中的这一矛盾,而且也揭示了柏拉图真正的目的在于一步步降低诗人在城邦中的地位,并最终确立哲学对于诗歌的统帅。     

汉学涵义辩正——兼论峻立汉学家法的思想史意义

明末清初,我国学界出现了一股摒弃宋明理学、竞尚古经的思潮,延至乾嘉,终成气象,史称:朴学思潮。很久以来,人们亦习惯以“汉学”名之。其实,清儒标榜“汉学”,并非单纯地意指汉代学术,而是在张扬一种崇尚,于内表现为学术理念,于外规制为学术范型,亦即形式上以考据为正统,观念上推崇汉儒经解,本质则是求真,同时还表达了强烈的“非宋学”含义。朴学的“汉学”化改造,完成于乾隆年间,最典型的标志是惠栋峻立汉学家法,可用二十字简括,即明源流、笃信汉、从古字、审古音、谨遵古训、鲜下己见,使考据学问有了明晰的规格,并为学界公认。峻立汉学家法使清代学术上了一个台阶,它既衔接了先导大师的反宋学传统,又抬升了治学的规格,改变了汉宋芜杂、规法不严的混沌状况,为朴学自主成军、出一宗派,继而占领全学界奠定了基础。     

以苏轼为例：中国哲学语境中的诗画理论

中国诗画理论历来存在着诗评与画评标准的不一致性,但中国诗画理论又在美学精神上达到了对诗画共同艺术本质揭示的高度.苏轼"诗中有画""画中有诗"的命题就是对中国诗画艺术创作经验和理论的一次高度总结和归纳.在苏轼的这个命题中,前者揭示了中国传统诗歌追求"画境"的形下取向,而后者则揭示了中国传统绘画追求"诗意"的形上取向.中国诗画理论特别是苏轼诗画命题与中国哲学道器观有着深刻的内在联系,中国哲学道器观为中国诗画理论提供了哲学背景和言说语境.     

新诗叙事艺术概观

新诗的叙事语言是“大白话”,并向着两个方向提升：一种是艾青式的“现代散美”,另一种是李季式的“民间歌谣美”。新诗的叙事方式主要有三种：故事型、散型、情节暗寓型。新诗的叙事结构更加灵活多变,其关键性的突破在一个“大”字上,几乎想写多大就能多大。     

七月诗派的理论基石--胡风的诗学思想

胡风的主要贡献是以其鲜明的主观战斗精神为核心而形成的诗学思想.他的诗学思想主要表现为高扬主体的现实主义诗歌观念形态;创作主体情感饱满的诗歌观念形态;"人诗合一"的人文思想形态;形质交融、统一的诗美风范形态等.他的诗学思想对七月诗派的构成、发展产生了巨大的推动作用,在中国现代诗歌史上也具有不可磨灭的价值和审美意蕴.