行政检查公民的住宅必须使用搜查证

公民的住宅权受到宪法保护,政府是否可以通过行政检查来限制这种宪法权利,这就是本文要讨论的关键问题。行政检查与刑事搜查是不同的。相对于刑事搜查而言,行政检查的形式要件是比较简单的。既然行政检查和刑事搜查可能都会涉及被嫌疑人的住所,既然用检查证和搜查证都可以进入被嫌疑人的住所,那么两者就很容易被模糊界限而出现滥用的情况。如果行政检查不需要搜查证,那么警察是否还会刻意去获得搜查证?因此,降低行政检查的标准,就会出现以行政检查为虚、以刑事搜查为实的严重恶果。尤其当警察兼具行政执法和刑事侦查任务时,这种情况更难以避免。     

当前农村已婚妇女外出就业动因的社会学分析--以潘村的个案研究为例

笔者通过对安徽省西南部地区潘村的调查研究,发现该村近年来已婚妇女外出就业人口呈明显上升趋势,这是当前流行的“农业女性化”观点所无法解释的。本文试图分析她们外出就业的动力机制。     

近代城市发展与义冢、丙舍问题--以上海为个案

上海开埠后，租界当局借口卫生与公共建设的需要，无视中国传统的习俗和有关协议，一再清理界内的义冢与丙舍，招致了国人的强烈抵制，但其管理思路毕竟反映了近代城市发展的客观要求，民国时期，上海地方当局正式将殡葬纳入城市发展规划，文明的殡葬服务方式逐渐为市民所接受。     

Representations of the family in postwar British amateur film: family histories in the Lane and Scrutton collection at the East Anglian Film Archive

This article examines the construction of the postwar British family in amateur film with reference to the Sidney Lane and Cecil Scrutton collection held at the East Anglian Film Archive (EAFA), particularly the films covering 1948 – 1961. Heather Norris Nicholson argues that home movies contribute to ‘an understanding of leisure and visual-related practices of consumption as well as the social processes by which people came to give themselves, and others, identities’ in the mid-twentieth century (Nicholson, H. N. [2004]. At Home and Abroad with Cine Enthusiasts: Regional Amateur Filmmaking and Visualizing the Mediterranean, ca. 1928 – 1962’. Geojournal, 49, 323–333). By considering the social and historical contexts in which these home movies were produced, and using accompanying notes by one of the filmmaker’s sons, the leisure time films of Lane and Scrutton can be analysed in order to understand how the amateur cine hobby ideologically constructed family, community and national identity in postwar Britain. The images of Christmas parties, daytrips and holidays in these films reveal much about this particular family, and are therefore very illuminating to the social historian and film scholar of today.     

西北农村留守妇女社会支持网络对其心理健康的影响:来自甘肃省的调查发现

本文旨在了解西北农村留守妇女的社会支持网络状况及心理健康状况,并探究其社会支持网络特征对心理健康的影响。通过抽取甘肃省311名农村留守妇女为被试,采用社会支持网络量表和SCL-90量表进行调查,结果发现西北农村留守妇女的社会支持网络表现出规模偏小、强关系成员占多数、异质性较低、趋同性较高的特征;西北农村留守妇女群体的心理健康水平显著低于成年正常女性。此外,研究还发现西北农村留守妇女社会支持网络规模对其心理健康具有显著的负向影响,网络异质性、趋同性与其心理健康也有一定的相关关系。     

论"非羁押式强制措施"的刑期折抵——以权利保障为视角

我国的刑事法律仅规定"羁押"的日期应当在被告人被判处的自由刑中予以折抵,而将取保候审、监视居住这样的"非羁押式强制措施"限制人身自由的日期排除于折抵刑期之外.从刑事司法公正、被追诉人的权利保障及权利与义务的对等性三方面论述"非羁押式强制措施"应予折抵刑期的合理性和正当性,并提出具体的立法建议.     

对农民工返乡就业问题的思考

农民工返乡就业问题不仅直接影响到我国农村经济的发展和农村社会的稳定,而且影响到社会主义市场经济体制的发展和整个社会的稳定.文章探讨返乡农民的就业问题,研究解决问题的措施及对策,对规避风险,加快和谐新农村建设的进程具有积极意义.     

OECD 国家和中国生育产假政策的比较

生育保护假期制度是保障育龄妇女权益的重要手段,OECD国家将产假期限、工作保护和津贴补助三者有机结合,创设的陪产假和育婴假制度极大地促进了性别平等,帮助受雇者平衡工作与家庭的冲突,提升了生育保护水平。当前中国面临着二孩政策全面放开后生育率不如预期乐观的情况,如何走出低生育率陷阱成为亟需解决的问题。通过对OECD国家和中国现有的产假制度进行比较,研究为完善我国生育产假政策提供建议。     

‘Whichever way you turn,there is the face of God’ diaspora,memory, and historiography from the margin in The Moor’s Account by Laila Lalami

In The Moor’s Account, Laila Lalami dares to dust off the archive of official history that passed over the testimonies of a Moroccan slave during the Discovery Age. This paper explores the way the slave capitalizes on historiography to reconstruct the Western monolithic history. In so doing, the re-constructor’s memory performs a number of roles. It registers the history of the European conquest of La Florida using micro narrative frameworks that highlight salient differences from the official record. Besides, the diasporic memory that the present novel advocates has the intention to mark a difference of the silenced subjectivity from the supremacist histories through a transnational matching of homeland with diaspora. This transnationalism is coupled with a look forward to circumvent the essentialism implied in the monologic narratives. In shuttling between the past, present, and future, memory espouses cosmopolitanism as an alternative to the fundamentalism which threatens people’s cultural diversity.     

Gettin’ Down Home With the Neelys: gastro-porn and televisual performances of gender,race, and sexuality

This article illuminates how performances of gender, race, and sexuality are integrated with representations of food and food performance in contemporary American cooking television. Interrogating the intersections of food, gender, race, sexuality, and performance, this essay explores how the cable-television show, Down Home with the Neelys, depicts a nouveau gastro-porn anchored in the perceived pornographic level of blackness itself. The author reveals the ways that food and performances of food become a medium of gendering and racialization employed by American popular media. Through the lens of reality television, shows like Down Home (re)produce a certain type of black heterosexuality and gendered enactments of domesticity and space, while challenging dominant televisual reflections of black love and labor. The author argues that the Neelys self-consciously employ a vernacular aesthetic performative of “down home” (a uniquely classed, temporally–spatially situated, and sexualized blackness) to exploit the phenomenon of gastro-porn in a highly lucrative performance that signals the entangled artifice of gender, race, and sexuality. More than offering culinary expertise and education, such cooking instruction reveals the pedagogy of gender, race, and sexuality as visual lessons of a complex and contradictory authenticity. This essay reveals television cooking shows as critical sites for considering the domestic laboring of gendered and racialized sexualities. In particular, shows like Down Home evince the ways that race continues to be rendered in visual terms and the enduring edibility of blackness.