政治化角度与中国20世纪30年代文学论争

30年代是中国20世纪学发展中的重要转折时期，在其后相当长的历史时期内的学论争，学讨论乃至学批评中，都能发现30年代学论争中所形成的一系列特点的遗存，因此，本的探讨对加深理解30年代乃至整个20世纪学的发展均有着重要的意义。章分别从学论争的起因，论争中各方所关注的重心、论争各方的心态，对话的基本方式以及看问题的角度等等方面，论述了中国20世纪30年代一系列重要学论争的最基本的也是最显的特征，并进而分析了这些特征得以形成的30年代特殊的政治化语境的根源。     

“文革”主流文学话语的生成

"文革"主流文学话语的生成,是对建国初基本话语规范的突破和发展,它经历了萌芽期、萌芽后的阻遏期、萌芽后的发展期以及全面形成和定型期四个阶段.     

试析数字图像处理在刑侦技术工作中的应用

数字图像处理在刑侦技术工作中的应用是刑事技术领域的一场革命,将计算机数字图像处理技术融入传统的刑侦技术工作中是必然的趋势,它将为现代刑侦工作带来新的发展机遇。文章就数字图像处理技术的概念、主要研究内容、在刑侦技术工作中的优越性及具体应用等作了较为详细的介绍     

刘少奇法制思想探析

刘少奇法制思想的主要内容,可以概括为七点.这些思想的实施所经历的曲折,有三个主要原因.从这些思想和这些原因,可以得出至少五点启示.     

关于大学新生入学教育模式的思考

近年来,大学生入学后不适应大学生活的问题日益突出,严重影响了学生的成长成材和高校和谐校园建设,因此重视和加强对大学新生的入学教育刻不容缓,势在必行。针对当前我国正处于社会转型期的实际,高校新生入学教育是高校思想政治教育工作的第一步,是高校教学环节中的重要一环,必须在教育内容、教育方法和教育模式上具备科学性、针对性、时效性、生动性,形成一整套完善的教育体系,才能确保入学教育取得实效。     

Cross-Currents: Elizabeth von Arnim,Max Beerbohm and George Bernard Shaw

Abstract

When Elizabeth von Arnim’s novel Introduction to Sally appeared in 1926, the critical response was divided. Dame Ethel Smyth may have told von Arnim the book was her ‘masterpiece’ but some were less convinced; the reviewer in Punch, for instance, considered it ‘a coarse-grained fantasy’. By situating Introduction to Sally in a wider literary context that includes Max Beerbohm’s Zuleika Dobson (1911 Beerbohm, Max (1964a), ‘To Reggie Turner, 3 November 1911’, in Rupert Hart-Davis (ed.), Letters to Reggie Turner, London: Davis, p. 126. [Google Scholar]) and George Bernard Shaw’s Pygmalion (1914 Shaw, George Bernard (1914), ‘Pygmalion: A Romance in Five Acts’, Everybody’s Magazine, Vol xxxi, (5). [Google Scholar]), this article explores the personal connections between these three authors and the thematic cross-currents in these texts. Is von Arnim’s novel really as ‘coarse’ and ‘vulgar’ as some earlier critics suggest? Or is it a novel that successfully mixes the plausible with the artificial, the comic and the socially catastrophic, in ways that, more than a decade later, resonate with the work of her friends to highlight several continuing preoccupations?     

Gender and Vernaculars in Digital Humanities and World Literature

Abstract

This article discusses the large-scale and world-encompassing aspirations of digital humanities and world literature and their methodological accordance with the analysis of literature in smaller languages and of texts understood in social, transnational, and gendered contexts. Are Digital Humanities and World Literature establishing themselves as fields utilizing analytical tools that are at odds with the aims and perspectives of feminist literary history and reception history as a part of literary history? We argue that gender research and theory is insufficiently developed in both computational literary history and World Literature. An unproblematic understanding of translations, canonization, English as a global language, and the use of large-scale computational methods and formalized interpretive models is in many cases not beneficial for the understanding of texts by women writers or from feminist perspectives. Drawing on feminist criticism of computational methods and arguments for specialized rather than generalized knowledge about literary history, we propose that digitization in some form, be it a bibliographical database or digitization of a corpus of texts, may be thought of as part of the research process in projects oriented towards gender and cultural exchange.     

Modern poetry,popular song and their dangerous liaisons

Abstract

In this article, Tsuboi Hideto examines the mutually entwined pursuits of modern poetry and music in interwar Japan, focusing especially on the work of Nakahara Chūya, Kitahara Hakushū, and the People's Poetry group. Cutting across their respective distinctions within the poetry establishment, Tsuboi draws attention to these figures’ shared investment in symphonic, folk and popular music. In so doing, he identifies among them a prevailing concern for curating a poetic voice that might harmonize the conflictual registers of individual and collective expression and thereby attune the work of the poet to that of the ‘people’ more broadly. Meanwhile, the essay traces the currents of modernist and avant-garde thought in Japan and Europe that framed these poets’ engagements with music and sound. Tsuboi then illustrates the varying degrees to which these voices, forged within the cosmopolitan milieu of the Taisho period, bent toward the nationalizing project and later gave way to the chorus of wartime fascism and imperial expansion.     

论法医对非正常死亡死者家属的解释工作

非正常死亡在法医学上指由外部作用导致的死亡。非正常死亡的判定在基层往往取决于法医对死亡原因和死亡性质的鉴定。法医对非正常死亡死者家属的解释非常必要,在解释之前要做好充分的准备工作,且解释的内容及方法也很重要,需关注一些细节,以保证工作的正常开展。     

浅析《老子》翻译——《老子》译本的描述性研究

从描述性翻译研究的新视角对历时近三百年产生的二百多本涵盖《老子》世传、帛书、竹简3种版本的译本进行全面历史性描述,得到以下要点:一是《老子》译本的翻译根据3种不同版本呈现出3种翻译趋势与热潮,随着历史时期的变化而变化对中国古典文学的翻译倾向产生不同影响;作为边缘文化的典例对西方文化也造成了一定影响。二是多译本《老子》这一文学翻译典例表明文学翻译批评应兼具规定性翻译批评研究和描述性翻译批评研究,以此完整的翻译批评系统推动翻译文学事业的发展。