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中国20世纪二三十年代审美主义思潮论
引用本文:刘悦笛.中国20世纪二三十年代审美主义思潮论[J].思想战线,2001,27(6):55-58.
作者姓名:刘悦笛
作者单位:南开大学哲学系,天津,300071
摘    要:"审美主义"是一种以审美活动取代其它生命活动的价值取向,"生命艺术化"是其思想核心,它要藉审美之途来安顿此岸的生存.从这种新的视角出发,审视中国美学20世纪二三十年代的断代史,立足于中西文化-美学比较角度,考察审美主义在中国的系统化形成,探寻审美主义在中国的接受机制、建构特质和发展理路,将会对理解整个20世纪中国美学有特殊的启示意义.

关 键 词:审美主义  生命艺术化  中国现代美学
文章编号:1001-778X(2001)06-0055-04
修稿时间:2001年5月20日

Trends of Thought of Aestheticism in the 1920s and 1930s
LIU Yue,di.Trends of Thought of Aestheticism in the 1920s and 1930s[J].The Ideological Front(Yunnan University's Journal of Social Sciences),2001,27(6):55-58.
Authors:LIU Yue  di
Abstract:Aestheticism" is a process in which aesthetic activities take the place of other activities in life, and "transformation of life into art" is the core of this trend of thought, which arranges today's existence by means of aesthetic activities. It will be of revelatory significance in the comprehension of the 20th century Chinese aesthetics to examine the history of the Chinese aesthetics in the 1920s and 1930s from this new perspective, to examine the formation of aestheticism in China and to research the characteristics and development of aestheticism in China.
Keywords:aestheticism  transformation of life into art  modern Chinese aesthetics  
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