论晚唐“苦吟”的内蕴流变

在中晚唐诗歌史上,姚、贾虽以苦吟并称,但思想境界的不同、时代士风的变迁,已使二人的诗歌精神产生巨大差异.从孟郊、贾岛到姚合,随着苦吟的内蕴变化,诗人的艺术追求也发生了重要变化.姚合上承王维及大历诗人,融汇张籍、贾岛等诸家之长,成为苦吟诗人的集大成者.他所追求和倡导的"清峭"诗风,代表了晚唐苦吟诗人共同的审美趋向.这是他们在艺术旨趣上最终选择姚合,远离贾岛,形成情感平和、风格雅正创作格局的根源.

Evolution of the Meaning Hardship-Chanting Poetic Genre in the Late Tang Dynasty

In the history of poetry of the middle and late Tang Dynasty,Yao He and Jia Dao,both famous for their hardship-chanting genre,differ from each other in the mentality of poetry because of their different realm of thought and the changing of time.From Jia Dao to Yao He,these poets vary their artistic pursuits with the changing of the implied meaning of hardship-chanting'.Yao He,succeeding Wang Wei as well as other poets of Da Li,taking in the merits of Zhang Ji,Jia Dao and other poets,becomes an extremely important successor of poets in the style of hardship-chanting'.His fresh and vigorous style of poetry pursuit represents the same aesthetic tendency in Late Tang.This is the fundamental reason why they choose not Jia Dao but Yao He in their artistic endeavors,forming the creative pattern characteristic of gentle feelings and righteous style.