Memorializing genocide: embodied semiotics in concentration camp memorials

Theorists have argued that the “attempt to comprehend” the genocidal event represented by Auschwitz has “defeated the intellects of countless men and women”. Memorials at Auschwitz and other concentration camps such as Dachau and Buchenwald, and to a certain extent those outside of Europe, such as Tuol Sleng and Choeung Ek in Cambodia, are attempts to call attention to these atrocities in the hope of preventing the repetition of their like. Yet these projects, like all historical monuments and memorials, face the problem of a certain coldness and indifference caused by historical distance, consumerist culture and the seemingly abstract nature of historical images and documents. Concentration camp memorials are not entirely immune from these problems. However, in their use of an embodied semiotics invoking the visitor’s own body as a direct participant in immersive environments, sensory surfaces and displays, these memorials engage – not unproblematically – in a project to realize this history in visceral and concrete ways. This paper examines the semiotic strategies of the concentration camp as a technique of “embodying” suffering that is intended to counter the dissipation of affect in a media-saturated consumerist era.