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艺术何以源于生活,如何高于生活——从“日常生活批判”理论角度的重新解读
引用本文:艾秀梅. 艺术何以源于生活,如何高于生活——从“日常生活批判”理论角度的重新解读[J]. 金陵法律评论, 2006, 0(6): 142-147
作者姓名:艾秀梅
作者单位:南京师范大学文学院 江苏南京210097
摘    要:"艺术来源于生活又高于生活"是毛泽东《在延安文艺座谈会上的讲话》中着重阐述过的文论观点.艺术何以来源于生活,又是如何高于生活的,其深层意蕴值得探索.从西方马克思主义学者的研究看来,日常生活的边缘性与奠基性是其产生艺术等高级意识形态活动的原因;同时由于日常生活的重复性、实用主义、平均状态等特性,又要求艺术对生活有所超越.这一文艺命题同时蕴涵着毛泽东关于"生活"概念的特指意义及其改造日常生活的特定方式.

关 键 词:日常生活  艺术  《在延安文艺座谈会上的讲话》
文章编号:1001-4608(2006)06-0142-06
收稿时间:2006-06-10
修稿时间:2006-06-10

Why Art Stems From Life yet Surpasses Life: Revisiting the Relation Between Art and Life from the View of Everyday Life Critique Theory
AI Xiu-mei. Why Art Stems From Life yet Surpasses Life: Revisiting the Relation Between Art and Life from the View of Everyday Life Critique Theory[J]. Journal of Nanjing Normal University (Social Science Edition), 2006, 0(6): 142-147
Authors:AI Xiu-mei
Affiliation:School of Chinese Language and Literature, Nanjing Normal Univ., Nanjing 210097, China
Abstract:'Art stems from life yet surpasses life' is a well known argument expounded by Mao Ze-dong in Speech at the Forum on Literature and Art in Yan An.But why does it stem from life and how does it surpass life? According to many west Marxisim theories,everyday life is marginal yet fundamental to the specialization of arts' realm,so everyday life is where kinds of ideological activities including art engender and develop.But everyday life has an passive inner character such as repetition,pragmatism and so on,and is dominated by habit,custom and routine,so art surpasses it.Additionally,the life in Mao Ze-dong's speech does not refer to the common everyday life but the revolutionary everday life.
Keywords:everyday life  art  Speech at the Forum on Literature and Art in Yan An  
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