| "诗学之正源,法度之准则" ——《诗经》意境创设透析 |
| |
| 引用本文： | 张成恩. "诗学之正源,法度之准则" ——《诗经》意境创设透析[J]. 中共郑州市委党校学报, 2006, 0(2): 129-131 |
| |
| 作者姓名： | 张成恩 |
| |
| 作者单位： | 郑州师范高等专科学校,中文系,河南,郑州,450044 |
| |
| 摘 要： | 《诗经》中的许多优秀作品,在寻求、表现、创造意境方面做出了宝贵的实践,它们所取得的艺术成就,率先规范了中国古典诗歌重视意境的独具民族特色的发展方向与历史格局,促成了以“意境说”为核心的中国古典诗论美学的诞生与日趋完善。
|
| 关 键 词： | 诗经 意境 诗论 |
| 文章编号： | 1671-6701(2006)02-0129-03 |
| 修稿时间： | 2006-01-02 |
Poetry Origination VS Law Principle——Analysis of The Book of Songs'''' Situation Creation |
| |
| Zhang Chengen. Poetry Origination VS Law Principle——Analysis of The Book of Songs'''' Situation Creation[J]. Journal of the Party School of CPC Zhengzhou Municipal Committee, 2006, 0(2): 129-131 |
| |
| Authors: | Zhang Chengen |
| |
| Abstract: | The Book of Songs is regarded as the classical work in China,which supplies rich nutrition for the literature of later ages and directly influences ancient poem creation and theories.Many excellent works in The Book of Songs have made precious practice in situation expression and creation.to develop Chinese ancient classical poem esthetics. |
| |
| Keywords: | The Book of Songs situation creation poetry talks |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
