解放区抗战歌谣的创作范式和审美取向

解放区抗战歌谣的创作理念,始终孕育在中国无产阶级主流意识形态价值观的历史语境之中。以毛泽东《在延安文艺座谈会上的讲话》的发表为标志,解放区抗战歌谣的创作理念、典型塑造、审美取向等都发生了深刻变化,确立了歌谣创作"政治话语,民间表述"的创作原则,塑造了工农兵全新的革命形象,开创了中国革命文艺审美取向的新范式。

The Patterns of Creation and Aesthetic Orientation in the Anti-Japanese Songs in the Liberated Areas

The ideas of anti -- Japanese songs in the liberated areas were always gestated in the historical context of Chinese proletariat＇s mainstream .ideology and value. Since the publication of Mao Zedong＇ s Sp~ch at the Symposium on Art and Literature in Yah＇ an, the ideas, model creation and aesthetic orientation of the anti - Jap- anese songs in liberated areas were greatly changed. Since then, the value orientation of ＂＂ political discourse, popular repreqeatation＂ was established for writing revolutionary songs, brand -new revolutionary images of worker, farmer and sohtier were shaped, and a new paradigm of aesthetic orientation was created for Chinese rev- olutionary art and literature.