| 分裂中的女性形象:简·爱与疯女人 |
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| 引用本文： | 刘燕,刘晓.分裂中的女性形象:简·爱与疯女人[J].妇女研究论丛,2004(4):54-60. |
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| 作者姓名： | 刘燕 刘晓 |
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| 作者单位： | 1. 北京第二外国语学院,国际传播学院,北京,100024
2. 清华大学,文学院,北京,100875 |
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| 摘 要： | 作为一部经典的女性主义文本,《简·爱》既有向传统挑战的叛逆一面,又有与社会妥协的保守一面。本文分析了《简·爱》中的疯女人就是男权社会中另一个被压抑的简·爱,简·爱与疯女人这两个形象正是夏洛蒂·勃朗特本人分裂的女性意识的体现,论文进一步揭示了女性作家内心的冲突及其双重的写作策略。
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| 关 键 词： | 女性主义 女性形象 疯女人 女性意识 |
| 文章编号： | 1004-2563(2004)04-0054-07 |
The Female Image in Split:Jane Eyre and the Mad Woman |
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| LIU Yan,LIU Xiao.The Female Image in Split:Jane Eyre and the Mad Woman[J].Collection of Women's Studies,2004(4):54-60. |
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| Authors: | LIU Yan LIU Xiao |
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| Institution: | LIU Yan 1 LIU Xiao2 |
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| Abstract: | As a classic feminist novel, Jane Eyre ontains the element of both rebellion against conventions and the element of compromise with society. This essay points out that the mad woman in Jane Eyre is another suppressed Jane Eyre in the male-supremacy society, and that the two images of Jane Eyre and the mad woman are a manifestation of the split female consciousness of the author of the novel Charlotte Bronte herself. The essay further reveals the mental conflict in the female writer's mind as well as her dual writing tactics. |
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| Keywords: | feminism female image mad woman female consciousness |
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