"文革"叙事的女性主义书写——论徐坤的《招安,招安,招甚鸟安》

在《招安,招安,招甚鸟安》中,徐坤以超越父权制中心化价值体系压抑的书写策略,来实现作为主人公的徐小红艰难的自我指认和建构作为叙述者的徐小红"本真"的女性声音.小说中恣情凸显的女性主义姿态不仅仅具有女性独有的性别意识、生命体验和叙事欲望,更富有一种"性政治"的理论自觉与女性自审意识、自省意识所带来的反思的力量,这就使得徐坤在对"文革"进行书写时独具特色.

A Feminist Writing on Narratives of "Cultural Revolution": On Xukun's Accepting Amnesty, Accepting Amnesty

In the Accepting amnesty,Accepting amnesty,Xukun helps the protagonist,Xu Xiaohong,come to her own recognition through a strategy to transcend the suppressive value under patriarchy,and establish her real female voice,a voice that is the narrator's.The Feminist stance unrestrained in the novel not only represents the female particular consciousness of sexuality,the vital experience and the desire to tell,but also contains the scholarly awakening of "sexual politics" and the introspective power brought by the protagonist herself.All of these make Xukun's writing about "Cultural Revolution" distinctive.