Spinsters,war widows,and wounded soldiers: the Great War novels of Berta Ruck

Although a prolific romance novelist of the early twentieth century, Berta Ruck (1878–1978) has garnered very little critical attention or appreciation, in no small part due to the seemingly generic and conventional narratives of her dozens of novels. This article rejects the dismissive approach taken to Ruck’s work by focusing on her novels written during and immediately following the First World War and examining them in the context of contemporary debates about gender. In particular, these novels frequently challenge strict pre-war and wartime gender binaries as stifling, favoring instead a more inclusive approach to gendered ideals. Spinsters, widows, and war widows are granted agency rather than pity as Ruck responds to concerns surrounding Britain’s ‘surplus women’ during and after the war in order to challenge traditional categories of femininity. Likewise, physically and psychologically wounded soldiers are employed to critique a static and limiting idealization of masculinity that was promoted during the war.