| Abstract: | Boehmer begins by outlining suggestive parallels between the doubly orientalizing reception of an Indian woman poet, Sarojini Naidu, in 1890s London, and the publicity and critical enthusiasm surrounding the appearance of Arundhati Roy's first novel, The God of Small Things , in the 1990s. Building on these century-broad connections, she goes on to observe how, despite its liberatory agendas, certain constructions within postcolonial criticism appear to emerge virtually intact out of the colonial discourses of the past: in particular, the conflation of biology and biography in representations of the writing of the South, and constructions of a singular oriental femaleness, and an extravagant oriental style. The second part of the essay examines more closely these seemingly 'neo-orientalist' underpinnings of postcolonial literary criticism located in the West, and then considers resistances to these, both in terms of cultural contextualization and verbal recalcitrance. |
