A Male Poetics

All French literary fiction, Coquillat contends, from Madame de Lafayette to Philippe Sollers, can be shown to repeat a single representation of gender, a single, scarcely varied pattern: man is transcendence, woman contingency. Man defies death through his immortal m uvre , woman 'creates' only living beings that must die. The romantic hero, the male intellectual adventurer, continues even now to be the creator's alter ego and occupies the centre of French literature, from avant garde to mainstream. By definition, he is in aloof rebellion against a 'bourgeois society' that suppresses genius. His politics as such are more often than not an 'apolitical' conservatism, his misogyny averred, in and out of his writing. If he is intrinsically more valuable it is precisely because he can rise to the singular status of the creator-genius, while women remain biologically and sociologically rooted in the mass. Rousseau was the first to theorize this vision of male superiority in his Reveries of a Solitary Walker , celebrating creativity as a male-orgasmic return to essence of which women are by nature incapable. Rousseau's most hysterical attacks on women's literature are contained in the pages of this work.