| Abstract: | Abstract: This investigative analysis bases itself on an array of documentary material from the archives of the Imperial War Museum in its effort to recover the intricate story behind the two British volunteer nurses who made their name during the First World War with the first-aid station they set up in Pervyse, a mere stone's throw away from the Belgian firing line. The essay juxtaposes a variety of documentary sources—the unpublished diaries of the two women, Geraldine Mitton's reconstruction of the story out of the nurses' journals and letters in The Cellar-House of Pervyse (1916), and two photograph albums, ‘The Women of Pervyse’, bequeathed to the Imperial War Museum—in a quest to understand how the two nurses came to acquire their status of national heroines. Sifting through the source material, this investigation reveals the numerous inconsistencies and gaps that exist between the published and the unpublished accounts of the dressing station, whose true genesis is obscured by several competing narratives. A close reading of Mitton's account and the photographic portraitures discloses that neither of these documents ought to be taken at their face value. They need to be understood as valuable tools in the nurses' own battle for authority, public recognition and their opportunity to feature as genuine protagonists in the arena of war. |
