| "风格即人"与"文如其人"辨析 |
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| 引用本文： | 李计珍. "风格即人"与"文如其人"辨析[J]. 中共山西省委党校学报, 2002, 25(6): 55-56 |
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| 作者姓名： | 李计珍 |
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| 作者单位： | 山东师范大学文学院中文系,山东,济南,250014 |
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| 摘 要： | “风格即人”是布封提出的论点。对此 ,我们不应与中国文论中的“文如其人”进行简单比附 ,而应作具体的实际分析论证。风格是西方文论中特有的范畴概念 ,指反映作者精神个体性的形式 ,而非其他 ,故风格一般成为品评、鉴赏作品的标准之一。中国文论史上实际并没有这一概念 ,正如“意境”之于西方文论一样。
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| 关 键 词： | 风格演变 风格即人 文如其人 解读意义 |
| 文章编号： | 1009-1203(2002)06-0055-02 |
| 修稿时间： | 2002-06-28 |
Discrimination Between "Style Is the Writer" and "The Writing Mirrors the Writer" |
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| LI Ji-zhen. Discrimination Between "Style Is the Writer" and "The Writing Mirrors the Writer"[J]. Academic Journal of Shanxi Provincial Committee Party School of C.P.C, 2002, 25(6): 55-56 |
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| Authors: | LI Ji-zhen |
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| Abstract: | Being not equal to "The writing mirrors the writer."in Chinese literature, "Style is the writer."is an argument put forward by Buffon.Style is a specific category concept in the western literature and means the form reflecting the spiritually specific characteristics of the writer. Style, which there was not in the Chinese history of literature, therefore, is used as one of the standards for judgement and appreciation of works of art. |
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| Keywords: | style evolution Style is the writer The writing mirrors the writer explain the meaning |
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