| 简论浙派古筝与豫派古筝指法的差异 |
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| 引用本文： | 张蓉蓉. 简论浙派古筝与豫派古筝指法的差异[J]. 安徽警官职业学院学报, 2004, 3(5): 89-89,91 |
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| 作者姓名： | 张蓉蓉 |
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| 作者单位： | 安徽艺术职业学院,音乐系,安徽,合肥,230001 |
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| 摘 要： | 弹好古筝,关键在于技巧的运用,技巧的基础则又来源于娴熟的指法.不同流派的筝乐表现方式(即风格),决定了不同指法的独特运用.只有深入研究各流派的指法特点,才能认识和把握不同的艺术风格,更好地表现各流派名曲的内蕴和特色.
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| 关 键 词： | 古筝 指法 流派 风格 发展 |
| 文章编号： | 1671-5101(2004)05-0089-01 |
On the Differences of Guzheng Fingering between Zhe Faction and Yu Factions |
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| Zhang Rongrong. On the Differences of Guzheng Fingering between Zhe Faction and Yu Factions[J]. Journal of Anhui Vocational College of Pollce Officers, 2004, 3(5): 89-89,91 |
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| Authors: | Zhang Rongrong |
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| Abstract: | If you want to have a good skill at playing guzheng, the key lies in how to use the skills. The basis of skills comes from adept fingering. The difference of character of different factions decides the unique usage of different factions. As long as one has known the features of fingerings of different factions, he can know and handle different style of art and embody the inherent meanings and features of famous music of all kinds of factions. |
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| Keywords: | guzheng fingering faction style development |
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