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反叛和否定:现代艺术的美学精神
引用本文:王拥军. 反叛和否定:现代艺术的美学精神[J]. 思想战线, 2004, 30(2): 62-66
作者姓名:王拥军
作者单位:东南大学,艺术系,江苏,南京,210096
摘    要:现代艺术是个混杂的概念,它本身反对被归纳和定义。现代艺术是在传统发生断裂、经典模式失去典范效应、共有的理想和目标丧失后,作为艺术的后来者以否定为武器而渴望进入经典艺术殿堂的努力。现代艺术创作具有明显的针对性,诉诸理性的沉思而非直觉的领悟,更需要理论的解释和阐述。

关 键 词:现代艺术  反叛  否定
文章编号:1001-778X(2004)02-0062-05
修稿时间:2003-10-11

the Aesthetic Spirit of the Modern Art
WANG Yong-jun. the Aesthetic Spirit of the Modern Art[J]. The Ideological Front(Yunnan University's Journal of Social Sciences), 2004, 30(2): 62-66
Authors:WANG Yong-jun
Abstract:Modern art is an ambiguous concept and thus difficult to summarize or define. It tries to push into the temple of classical art by means of rebellion and negation after the breakdown of tradition, the failure of classical models and the loss of common ideals. Thus, modern art has obviously appealed to meditation rather than intuition. Understanding of modern art requires thorough theoretical interpretations.
Keywords:modern art  rebellion  negation  
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